The Impressionists Get to Work
Mothers, Ironers, Workers at a Cotton Office, Farmers, Floor Strippers, Writers, Waitresses, Stonebreakers, Gleaners, Apple Pickers, Sowers…. Advertisements
Manet the Mystic
Manet’s 1862 painting The Old Musician is a great human riddle. Just what everybody is doing here, and why they’re gathered together, is a mystery. Yet it’s a puzzle more emotional than academic. Held in the National Gallery in Washington, D.C., you can read their page about it here, or the Wiki page.
Caravaggio’s Dirty Feet
The affront that many of Caravaggio’s greatest paintings presented to their first audience must have been astonishing: casting a local girl as the Virgin Mary being visited by pilgrims, or the body of a prostitute as her corpse after death; filling almost the entire canvas of Paul’s conversion on the road to Damascus with the horse he’s just fallen from; […]
Images: Dürer’s Self-Portraits
From childhood through old age: Albrecht Dürer, “Self-Portrait” (1484) Albrecht Dürer, “Self-Portrait” (1493) Albrecht Dürer, “Self-Portrait” (1498) Albrecht Dürer, “Self-Portrait” (1500) Albrecht Dürer, “Self-Portrait” (1522)
A Gallery of Greeks & Romans
Here are a few dozen faces I always go back to, from the collection of Greek & Roman sculpture I was lucky enough to at the National Archaeology Museum in Athens, back in 2007:
Memento Mori
The German Origins of Michelangelo’s Pietà
from Thomas Cahill’s Heretics & Heroes: …. [Michelangelo’s] next work displays a grasp of human anatomy seldom seen in the history of art: a Pietà, his first but hardly his last interpretation of the subject. The Italian word has many grades of meaning: pity, compassion, mercy, piety, devotion. Capitalized, however, it refers to a scene not found in the gospels […]
Vermeer’s Window on the Left, Vermeer’s Late Afternoon Light
As I’ve written elsewhere: “Except for his earliest work, there were no grand subjects in Vermeer, and very little else but a room and a window; tiled floor and tapestries and carpeted tables; maps and light and exactitude; liquid, lace, poured milk, lute strings and the weighing of pearls; the reproduction by brush and color of glass, a glass of […]
The Mind as a Mountain & Creativity its Tree
A drawing from 2015 that I suddenly found again today:
The Mysteries of Mérode
For some reason the Mérode Altarpiece, painted in the late 1420s by Robert Campin, has become an obsession of mine. I can look at it for hours, and its strangeness never ends. Better than any TV show, I’ve found one of the best uses of a flat-screen is putting the Mérode up on it, and staring. Held in the Cloisters […]
The Melancholy of William Blake
No matter how poor he got, and no matter what of his belongings he had to sell to get by, William Blake always held onto a print of Albrecht Dürer’s 1514 work, Melencolia I; it was found in his workroom when he died. And so it is worth looking in detail, again and again, at anything which an artist and […]
The Brutal Paintings that Predicted the 20th Century
The Austrian artist Egon Schiele’s brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that was to come. As more famous artists from the time look terribly dated today, Shiele seems like he could still be working right now: Egon Schiele – Self Portrait (1911)
The Earliest Photographs of Paris
Among the earliest photos taken of Paris were those of Eugène Atget, beginning in the late 1800s. Here is only a sample:
Claude Lorrain’s Nostalgia for What Never Was
I first came across Claude Lorrain’s fantasies of classical Greece and Rome on the cover of an old paperback of the Aeneid. These are my favorites, but there are many more of them here. Click on each image to enlarge:
The Painting that Lit a Million Conspiracy Theories
It’s too bad Nicholas Poussin’s Shepherds of Arcady/Et in Arcadia (Even in Arcadia, there am I) can’t get much attention except as a link to the Holy Blood-Holy Grail/Dan Brown stories. It’s magnificent enough on its own. You can also read more about it, including the conspiracy stuff, here. Click on the painting to enlarge:
Aldous Huxley Saves the Day
from Thomas Cahill’s Heretics and Heroes: In a collection of travel essays published in 1925, Aldous Huxley had called Piero [della Francesca’s] Resurrection, the fresco that decorates the Museo Civico of Sansepolcro, “the greatest picture in the world.” In the last days of World War II, as British soldiers began shelling Nazi-occupied Sansepolcro with the intention of reducing it to […]
Images: The Saint & the Lion
One of the great jazz standards of Medieval & Renaissance art, here’s only a selection of all the depictions of St. Jerome: studying indoors or out, with or without his lion or skull, probably translating the Bible as he goes, reading or writing always. All a good excuse for artists to place him in contemporary landscapes, or familiar book-lined rooms. […]
One of the Most Haunting Paintings
At least for me, John Singer Sargent’s “The Daughters of Edward Darley Boit” is one of the more haunting paintings. What it appears to say about family, isolation, childhood, the lives of women and girls, and perhaps even the deleterious effects of being rich, seem quite endless. And the history of each of the girls’ later lives only adds to […]
Images: The Painting Salvador Dali Couldn’t Get Away From
The way I heard it, Salvador Dali saw a reproduction of Millet’s Angelus in his classroom during childhood, and it became one of his great personal images: Jean-Francois Millet – The Angelus (1857-1859) Salvador Dali – Archeological Reminiscence of Millet’s Angelus (1935) Salvador Dali – Atavism of Twilight (1933-1934) Salvador Dali – Gala and The Angelus of Millet Before the […]
Images: Picasso Mostly in Pencil
Taken from John Richardson’s biographies of Picasso. Click on each to enlarge:
Images: Manet’s Muse, Victorine Meurent
The French painter and model Victorine Meurent (1844-1927) appears in some of the most famous of Édouard Manet’s paintings. Click on each to enlarge:
Images: Rembrandt’s Self-Portraits
The number of Rembrandt’s self-portraits alone far outnumber the entire output of many artists. Here is only a fraction of them, but watch him grow up, change, and emerge with many moods. Click on each to enlarge:
Images: Watch Picasso’s “Guernica” Emerge
Scroll through this selection of preliminary studies & photos of the canvas as it was worked on & completed. Pretty astonishing, & all done in about five weeks.
Images: The Act of Writing
Images: Mother & Child
