for Evie

Hum the words with me and you might understand:
mammoth ivory, hematite, limestone,
black jet, soapstone, antler and fired clay –
all of these become our bodies because
our bodies are the place of becoming.
They would not emphasize our hips and breasts
or underline the low triangled cleft,
and would not know to rhyme the bison horn
with the horned moon and our monthly flesh
without the genius our nine months gives them
in our seething, essential, swelling dark.
Feast and wear and build with bone, skin and sinew,
but by taking the time to make us
in the only way they can approximate –
hand-held bodies mostly handless, mostly
faceless, mostly propped up for gazing –
they make a simple bottomless mystery
of our bodies and the earth, the round year,
the rounded belly and the circled life.
Since they will never acquiesce to ours
they will worship strength and others like them
and will build to forget that they aren’t it.
But sing the words with me and you might understand:
Lespugue, Laussel, Hohle Fels and Willendorf,
Brassempouy, Dolní Věstonice
and Gönnersdorf – we’ve always been here.

Buy Bone Antler Stone here


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One response

  1. Excellent deep rythme

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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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