In the barn the tenant cock,
Close to partlet perched on high,
Briskly crows (the shepherd’s clock!),
Jocund that the morning's nigh.

Swiftly from the mountain’s brow,
Shadows, nursed by night, retire:
And the peeping sunbeam now
Paints with gold the village spire.

Philomel forsakes the thorn,
Plaintive where she prates at night;
And the lark, to meet the morn,
Soars beyond the shepherd’s sight.

From the low-roofed cottage ridge,
See the chatt’ring swallow spring;
Darting through the one-arched bridge,
Quick she dips her dappled wing.

Now the pine-tree’s waving top
Gently greets the morning gale:
Kidlings now begin to crop
Daisies on the dewy dale.

From the balmy sweets, uncloyed
(Restless till her task be done),
Now the busy bee's employed
Sipping dew before the sun.

Trickling through the creviced rock,
Where the limpid stream distils,
Sweet refreshment waits the flock
When ’tis sun-drove from the hills.

Colin’s for the promised corn
(Ere the harvest hopes are ripe)
Anxious; – whilst the huntsman’s horn,
Boldly sounding, drowns his pipe.

Sweet, O sweet, the warbling throng
On the white emblossomed spray!
Nature’s universal song
Echoes to the rising day.

John Cunningham, 1729-1773 – “Morning” from The New Oxford Book of Eighteenth-Century Verse



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One response

  1. I wasn’t thinking of the dawn chorus to start with and with the urban setting and the cock the first call it is not, but that is what I am left with. It is not us, people but nature anyway and a wonderful way to evoke it.

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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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