7
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,

A hand that can be clasp’d no more –
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.

He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.

27
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:

I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;

Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.

I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.

130
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.

What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:

My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.

Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.

Alfred, Lord Tennyson, 1809-1892 – poems from the one-volume In Memoriam, and The Major Works



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#234: The Intensity of Private Moments - Human Voices Wake Us

An episode from 7/20/26: I’ve realized that, even though I’ve become more social than ever before since becoming a father, the deepest meaning and intensity still come from more private experiences. By “private” I mean those experiences shared with one or two people, or our families and friends, just as much as those moments experienced in complete isolation.I spend this episode giving examples of such private experiences from the lives of writers, artists, and religious figures that I keep coming back to. Then, I bring it around to everybody else and ask how much of our lives—all of our lives—are actually private, and part of our own idiosyncratic and personal worlds? And I wonder how much better off we might all be, being less “social” with our phones and the prevailing forms of media, and instead focusing, as one of Al Pacino’s great movie speeches puts it, on “the six inches in front of our face.”I close with readings on privacy from my book Notes from the Grid.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #234: The Intensity of Private Moments
  2. #233: Talking Baseball with Tom Hart
  3. #232: Ted Hughes in Alaska
  4. #231: The mythology of the moon
  5. #230 - The mythology of the bear, and Byron gets apocalyptic
  6. #229 : Mother Earth and myths of mining and agriculture
  7. #228 - What Ted Bundy did on July 14, 1974
  8. #227 - The Great Fire of London and the destruction of Jerusalem
  9. #226: The Vitality and terror of cities
  10. #225 - The invention of the wheel, and the power of storytelling

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Discover more from Tim Miller

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