I
I asked of your face:
is it dark,
set beneath heavy locks,
circled with stiff ivy-fruit,
clear,
cut with great hammer-stroke,
brow, nose and mouth,
mysterious and far distant
from my sense.

I asked:
can he from his portals of ebony
carved with grapes,
turn toward the earth?

I even spoke this blasphemy
in my thoughts:
the earth is evil,
given over to evil,
we are lost.

II
And in a moment
you have altered this;

beneath my feet, the rocks
have no weight
against the rush of cyclamen,
fire-tipped, ivory-pointed,
white;

beneath my feet the flat rocks
have no strength
against the deep purple flower-embers,
cyclamen, wine spilled.

III
As I stood among the bare rocks
where salt lay,
peeled and flaked
in its white drift,

I thought I would be the last
you would want,
I thought I would but scatter salt
on the ripe grapes.

I thought the vine-leaves
would curl under,
leaf and leaf-point
at my touch,

the yellow and green grapes
would have dropped
my very glance must shatter
the purple-fruit.

I had drawn away into the salt,
myself, a shell
emptied of life.

IV
I pluck the cyclamen,
red by wine-red,
and place the petals’
stiff ivory and bright fire
against my flesh;
now I am powerless
to draw back
for the sea is cyclamen-purple,
cyclamen-red, colour of the last grapes,
colour of the purple of the flowers,
cyclamen-coloured and dark.

H. D., 1886-1961 – “The God” from Collected Poems 1912-1944



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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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