I
I asked of your face:
is it dark,
set beneath heavy locks,
circled with stiff ivy-fruit,
clear,
cut with great hammer-stroke,
brow, nose and mouth,
mysterious and far distant
from my sense.

I asked:
can he from his portals of ebony
carved with grapes,
turn toward the earth?

I even spoke this blasphemy
in my thoughts:
the earth is evil,
given over to evil,
we are lost.

II
And in a moment
you have altered this;

beneath my feet, the rocks
have no weight
against the rush of cyclamen,
fire-tipped, ivory-pointed,
white;

beneath my feet the flat rocks
have no strength
against the deep purple flower-embers,
cyclamen, wine spilled.

III
As I stood among the bare rocks
where salt lay,
peeled and flaked
in its white drift,

I thought I would be the last
you would want,
I thought I would but scatter salt
on the ripe grapes.

I thought the vine-leaves
would curl under,
leaf and leaf-point
at my touch,

the yellow and green grapes
would have dropped
my very glance must shatter
the purple-fruit.

I had drawn away into the salt,
myself, a shell
emptied of life.

IV
I pluck the cyclamen,
red by wine-red,
and place the petals’
stiff ivory and bright fire
against my flesh;
now I am powerless
to draw back
for the sea is cyclamen-purple,
cyclamen-red, colour of the last grapes,
colour of the purple of the flowers,
cyclamen-coloured and dark.

H. D., 1886-1961 – “The God” from Collected Poems 1912-1944



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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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