For Jane Dewey, Maryland

Nothing is so beautiful as spring. – Hopkins

A cold spring:
the violet was flawed on the lawn.
For two weeks or more the trees hesitated;
the little leaves waited,
carefully indicating their characteristics.
Finally a grave green dust
settled over your big and aimless hills.
One day, in a chill white blast of sunshine,
on the side of one a calf was born.
The mother stopped lowing
and took a long time eating the after-birth,
a wretched flag,
but the calf got up promptly
and seemed inclined to feel gay.

The next day
was much warmer.
Greenish-white dogwood infiltrated the wood,
each petal burned, apparently, by a cigarette-butt;
and the blurred redbud stood
beside it, motionless, but almost more
like movement than any placeable color.
Four deer practised leaping over your fences.
The infant oak-leaves swung through the sober oak.
Song-sparrows were wound up for the summer,
and in the maple the complementary cardinal
cracked a whip, and the sleeper awoke,
stretching miles of green limbs from the south.
In his cap the lilacs whitened,
then one day they fell like snow.

Now, in the evening,
a new moon comes.
The hills grow softer. Tufts of long grass show
where each cow-flop lies.
The bull-frogs are sounding,
slack strings plucked by heavy thumbs.
Beneath the light, against your white front door,
the smallest moths, like Chinese fans,
flatten themselves, silver and silver-gilt
over pale yellow, orange, or gray.
Now, from the thick grass, the fireflies
begin to rise:
up, then down, then up again:
lit on the ascending flight,
drifting simultaneously to the same height,
– exactly like the bubbles in champagne.
– Later on they rise much higher.
And your shadowy pastures will be able to offer
these particular glowing tributes
every evening now throughout the summer.

Elizabeth Bishop, 1911-1979 – “A Cold Spring” from Poems



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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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