For Jane Dewey, Maryland

Nothing is so beautiful as spring. – Hopkins

A cold spring:
the violet was flawed on the lawn.
For two weeks or more the trees hesitated;
the little leaves waited,
carefully indicating their characteristics.
Finally a grave green dust
settled over your big and aimless hills.
One day, in a chill white blast of sunshine,
on the side of one a calf was born.
The mother stopped lowing
and took a long time eating the after-birth,
a wretched flag,
but the calf got up promptly
and seemed inclined to feel gay.

The next day
was much warmer.
Greenish-white dogwood infiltrated the wood,
each petal burned, apparently, by a cigarette-butt;
and the blurred redbud stood
beside it, motionless, but almost more
like movement than any placeable color.
Four deer practised leaping over your fences.
The infant oak-leaves swung through the sober oak.
Song-sparrows were wound up for the summer,
and in the maple the complementary cardinal
cracked a whip, and the sleeper awoke,
stretching miles of green limbs from the south.
In his cap the lilacs whitened,
then one day they fell like snow.

Now, in the evening,
a new moon comes.
The hills grow softer. Tufts of long grass show
where each cow-flop lies.
The bull-frogs are sounding,
slack strings plucked by heavy thumbs.
Beneath the light, against your white front door,
the smallest moths, like Chinese fans,
flatten themselves, silver and silver-gilt
over pale yellow, orange, or gray.
Now, from the thick grass, the fireflies
begin to rise:
up, then down, then up again:
lit on the ascending flight,
drifting simultaneously to the same height,
– exactly like the bubbles in champagne.
– Later on they rise much higher.
And your shadowy pastures will be able to offer
these particular glowing tributes
every evening now throughout the summer.

Elizabeth Bishop, 1911-1979 – “A Cold Spring” from Poems



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#217: Voices from 1900-1914 Human Voices Wake Us

An episode from 1/2/23: Tonight, I read a handful of voices from those living in Europe and the United States between 1900 and 1914. Rephrased only slightly, nearly all of their concerns (over technology, gender, nationalism, war, eugenics) feel like they could appear in the news or on the street today. Then and now, what is actually going on alongside all the dread? What can we learn from these voices that sound so much like our own, and what will people look back on 2023 learn for themselves?Each of these quotations can be found in Philipp Blom’s wonderful book, The Vertigo Years.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #217: Voices from 1900-1914
  2. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  3. #215: 8 Favorite Poems from "Time and the River"
  4. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  5. #213: Van Gogh's Early Years
  6. #212: The Most Popular Story in Ancient India
  7. #211: Who Was William Cullen Bryant?
  8. #210: Memories & Legends of William Shakespeare
  9. #209 – Being a Jew in 1900, Being a Jew Now
  10. #208: Bach & God

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