Under branches of white lilac 
They crop the wet grass just before dawn.
They move smokily through the half-light, smudge pots
Pulsing against a thick morning frost.
My watch glows like a small, improbable moon. Six o’clock.
I have been driving into the dark too long.

I pull to the side of the road.
I am a branch, a stone. The lambs are not aware of me.
They have been fading into the hillside
Like shadows that have peopled someone’s fever
In the shut room of a dilapidated farmhouse
Where the walls reiterate a spray of honeysuckle.

They ignore one another. They are blanketed with thistles,
A little out of sorts in this shabby light.
Five or six of them are wandering through a peach orchard,
Not even aware of my personal squalor.
What stumbles from their tongues is never music;
It is the echo of a badly damaged shell.

Now they are moving by a ditch of rainwater,
Inspected for flaws in the foggy mirror.
I walk into the field, I am not afraid of them –
They scatter like the last edges of a sickness.
The sun has begun to enlarge its tawny fleeces
At the expense of no one in particular.

Thomas James, 1946-1974 – “Lambs” from Letters to a Stranger


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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