Jacques: All the world’s a stage,
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

William Shakespeare, 1564-1616 – “All the world’s a stage” from As You Like It II.vii



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2 responses

  1. oh God dammit you had to remind me 😊

  2. sometimes we need the Bard’s reminder

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#235 - London in 2011, London in the 1660s - Human Voices Wake Us

An episode from 7/27/26: Tonight, we visit London at two different times in history. First, I read passages from Craig Taylor’s 2011 book Londoners: The days and nights of London now—as told by those who love it, hate it, live it, left it, and long for it. Then we go back a few centuries in Liza Picard’s Restoration London: Everyday Life in London 1660-1670, and focus especially on the lives of women, children, and the poor.I also talk about the value of accounts like these, which don’t pretend to be definitive or objective. But what else do we really hold onto, in the end, other than vivid and subjective stories told by the people we’re closest to, or gleaned from books that we love? Taylor and Picard’s books have both become those for me.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #235 - London in 2011, London in the 1660s
  2. #234: The Intensity of Private Moments
  3. #233: Talking Baseball with Tom Hart
  4. #232: Ted Hughes in Alaska
  5. #231: The mythology of the moon
  6. #230 - The mythology of the bear, and Byron gets apocalyptic
  7. #229 : Mother Earth and myths of mining and agriculture
  8. #228 - What Ted Bundy did on July 14, 1974
  9. #227 - The Great Fire of London and the destruction of Jerusalem
  10. #226: The Vitality and terror of cities

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