In spotted globes, that have resembled all
Which we or beasts possess to one great ball
Dim little specks for thronging cities stand,
Lines wind for rivers, blots bound sea and land.
Small are those spots which in the moon we view,
Yet glasses these like shades of mountains shew;
As what an even brightness does retain,
A glorious level seems, and shining plain.
Those crowds of stars in the populous sky,
Which art beholds as twinkling worlds on high,
Appear to naked, unassisted sight
No more than sparks or slender points of light.
The sun, a flaming universe alone,
Bigger than that about which his fires run;
Enlightening ours, his globe but part does gild,
Part by his lustre or Earth’s shades concealed;
His glory dwindled so, as what we spy
Scarce fills the narrow circle of the eye.
What new Americas of light have been
Yet undiscovered there, or yet unseen,
Art’s near approaches awfully forbid,
As in the majesty of nature hid.
Nature, who with like state, and equal pride,
Her great works does in height and distance hide,
And shuts up her minuter bodies all
In curious frames, imperceptibly small.
Thus still incognito, she seeks recess
In greatness half-seen, or dim littleness.
Ah, happy littleness! that art thus blest,
That greatest glories aspire to seem least.
Even those installed in a higher sphere,
The higher they are raised, the less appear,
And in their exaltation emulate
Thy humble grandeur and thy modest state.
Nor is this all thy praise, though not the least,
That greatness is thy counterfeit at best.
Those swelling honours, which in that we prize,
Thou dost contain in thy more thrifty size;
And hast that pomp, magnificence does boast,
Though in thy stature and dimensions lost.
Those rugged little bodies whose parts rise
And fall in various inequalities,
Hills in the risings of their surface show,
As valleys in their hollow pits below.
Pompous these lesser things, but yet less rude
Than uncompact and looser magnitude.
What Skill is in the frame of Insects shown?
How fine the Threds, in their small Textures spun?
How close those Instruments and Engines knit,
Which Motion, and their slender Sense transmit?
Like living Watches, each of these conceals
A thousand Springs of Life, and moving wheels.
Each ligature a Lab’rynth seems, each part
All wonder is, all Workmanship and Art.
Rather let me this little Greatness know,
Then all the Mighty Acts of Great Ones do.
These Engines understand, rather than prove
An Archimedes, and the Earth remove.
These Atom-Worlds found out, I would despise
Columbus, and his vast Discoveries.

Richard Leigh, 1650-1728 – “Greatness in Little” from The Penguin Book of Metaphysical Poetry


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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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