In spotted globes, that have resembled all
Which we or beasts possess to one great ball
Dim little specks for thronging cities stand,
Lines wind for rivers, blots bound sea and land.
Small are those spots which in the moon we view,
Yet glasses these like shades of mountains shew;
As what an even brightness does retain,
A glorious level seems, and shining plain.
Those crowds of stars in the populous sky,
Which art beholds as twinkling worlds on high,
Appear to naked, unassisted sight
No more than sparks or slender points of light.
The sun, a flaming universe alone,
Bigger than that about which his fires run;
Enlightening ours, his globe but part does gild,
Part by his lustre or Earth’s shades concealed;
His glory dwindled so, as what we spy
Scarce fills the narrow circle of the eye.
What new Americas of light have been
Yet undiscovered there, or yet unseen,
Art’s near approaches awfully forbid,
As in the majesty of nature hid.
Nature, who with like state, and equal pride,
Her great works does in height and distance hide,
And shuts up her minuter bodies all
In curious frames, imperceptibly small.
Thus still incognito, she seeks recess
In greatness half-seen, or dim littleness.
Ah, happy littleness! that art thus blest,
That greatest glories aspire to seem least.
Even those installed in a higher sphere,
The higher they are raised, the less appear,
And in their exaltation emulate
Thy humble grandeur and thy modest state.
Nor is this all thy praise, though not the least,
That greatness is thy counterfeit at best.
Those swelling honours, which in that we prize,
Thou dost contain in thy more thrifty size;
And hast that pomp, magnificence does boast,
Though in thy stature and dimensions lost.
Those rugged little bodies whose parts rise
And fall in various inequalities,
Hills in the risings of their surface show,
As valleys in their hollow pits below.
Pompous these lesser things, but yet less rude
Than uncompact and looser magnitude.
What Skill is in the frame of Insects shown?
How fine the Threds, in their small Textures spun?
How close those Instruments and Engines knit,
Which Motion, and their slender Sense transmit?
Like living Watches, each of these conceals
A thousand Springs of Life, and moving wheels.
Each ligature a Lab’rynth seems, each part
All wonder is, all Workmanship and Art.
Rather let me this little Greatness know,
Then all the Mighty Acts of Great Ones do.
These Engines understand, rather than prove
An Archimedes, and the Earth remove.
These Atom-Worlds found out, I would despise
Columbus, and his vast Discoveries.

Richard Leigh, 1650-1728 – “Greatness in Little” from The Penguin Book of Metaphysical Poetry


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#211: Who Was William Cullen Bryant? Human Voices Wake Us

An episode from 1/5/2026: Tonight, I read a handful of passages from Gilbert Muller’s William Cullen Bryant: Author of America. During his lifetime, Bryant (1794-1878) was the most popular poet in America as well as one of the country’s most trusted and influential editors and journalists. Through Bryant’s own words and those of his contemporaries, I trace the story of that double-prominence, and the unease many felt over the fate of Bryant’s poetry against the pressures of politics. I also address how, since his death, Bryant has become almost entirely unknown and unread.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.Email me at humanvoiceswakeus1@gmail.com.
  1. #211: Who Was William Cullen Bryant?
  2. #210: Memories & Legends of William Shakespeare
  3. #209 – Being a Jew in 1900, Being a Jew Now
  4. #208: Bach & God
  5. #207 – Death, the Gods, and Endless Life in Ancient Egypt
  6. #206 – The Discovery of Indo-European Languages – 1876
  7. #205: Learning to Read, c. 2000 BCE
  8. #204: Walt Whitman's "Crossing Brooklyn Ferry," 1856
  9. #203: Bruce Springsteen Talks About "Nebraska" – 1984
  10. #202 – A Death at Sea, 1834

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