When I was young the twilight seemed too long,	

How often on the western window seat
          I leaned my book against the misty pane	
          And spelled the last enchanting lines again,	
The while my mother hummed an ancient song,	    
Or sighed a little and said: “The hour is sweet!”	
When I, rebellious, clamoured for the light.	
 
But now I love the soft approach of night,	
          And now with folded hands I sit and dream	
          While all too fleet the hours of twilight seem;	    
And thus I know that I am growing old.	
 
O granaries of Age! O manifold	
And royal harvest of the common years!	
There are in all thy treasure-house no ways	
But lead by soft descent and gradual slope	     
To memories more exquisite than Hope.	
Thine is the Iris born of olden tears,	
And thrice more happy are the happy days	
That live divinely in thy lingering rays.	

So autumn roses bear a lovelier flower;	      
So in the emerald after-sunset hour	
The orchard wall and trembling aspen trees	
Appear an infinite Hesperides.	
Ay, as at dusk we sit with folded hands,	
Who knows, who cares in what enchanted lands	
We wander while the undying memories throng?	

When I was young the twilight seemed too long.

A. Mary F. Robinson, 1857-1944 – “Twilight” from The Penguin Book of Victorian Verse


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#238 - Georgia O'Keeffe in New Mexico - Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 - Georgia O'Keeffe in New Mexico
  2. #237 - Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 - At home with Bach
  4. #235 - London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 - The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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