I am useless.
What I do is nothing,
What I think has no savour.
There is an almanac between the windows:
It is of the year when I was born.

My fellows call to me to join them,
They shout for me,
Passing the house in a great wind of vermilion banners.
They are fresh and fulminant,
They are indecent and strut with the thought of it,
They laugh, and curse, and brawl,
And cheer a holocaust of "Who comes firsts!" at the iron fronts of the houses at the two edges of the street.
Young men with naked hearts jeering between iron house-fronts,
Young men with naked bodies beneath their clothes
Passionately conscious of them,
Ready to strip off their clothes,
Ready to strip off their customs, their usual routine,
Clamouring for the rawness of life,
In love with appetite,
Proclaiming it as a creed,
Worshipping youth,
Worshipping themselves.
They call for women and the women come,
They bare the whiteness of their lusts to the dead gaze of the old house-fronts,
They roar down the street like flame,
They explode upon the dead houses like new, sharp fire.

But I –
I arrange three roses in a Chinese vase:
A pink one,
A red one,
A yellow one.
I fuss over their arrangement.
Then I sit in a South window
And sip pale wine with a touch of hemlock in it,
And think of Winter nights,
And field-mice crossing and re-crossing
The spot which will be my grave.

Amy Lowell, 1874-1925 – “New Heavens for Old” from Selected Poems


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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