I see her against the pearl sky of Dublin
Before the turn of the century, a young woman
With all those brothers and sisters, green eyes, hair
She could sit on; for high life, a meandering sermon

(Church of Ireland) each Sunday, window-shopping
In Dawson Street, picnics at Killiney and Howth …
To know so little about the growing of one
Who was angel and maid-of-all-work to my growth!

– Who, her sister dying, took on the four-year
Child, and the chance that now she would never make
A child of her own; who, mothering me, flowered in
The clover-soft authority of the meek.

Who, exiled, gossiping home chat from abroad
In roundhand letters to a drift of relations –
Squires’, Goldsmiths, Overends, Williams’ – sang the songs
Of Zion in a strange land. Hers the patience

Of one who made no claims, but simply loved
Because that was her nature, and loving so
Asked no more than to be repaid in kind.
If she was not a saint, I do not know

What saints are … Buying penny toys at Christmas
(The most a small purse could afford) to send her
Nephews and nieces, she’d never have thought the shop
Could shine for me one day in Bethlehem splendour.

Exiled again after ten years, my father
Remarrying, she faced the bitter test
Of charity – to abdicate in love’s name
From love’s contentful duties. A distressed

Gentle woman housekeeping for strangers;
Later, companion to a droll recluse
Clergyman brother in rough-pastured Wexford,
She lived for all she was worth – to be of use.

She bottled plums, she visited parishioners.
A plain habit of innocence, a faith
Mildly forbearing, made her one of those
Who, we were promised, shall inherit the earth.

… Now, sunk in one small room of a Rathmines
Old people’s home, helpless, beyond speech
Or movement, yearly deeper she declines
To imbecility – my last link with childhood.

The battery’s almost done: yet if I press
The button hard – some private joke in boyhood
I teased her with – there comes upon her face
A glowing of the old, enchanted smile.

So, still alive, she rots. A heart of granite
Would melt at this unmeaning sequel. Lord,
How can this be justified, how can it
Be justified?

C. Day-Lewis, 1904-1972 – “My Mother’s Sister” from Complete Poems


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Walt Whitman's Life #7: His Notebooks & the Publication of "Leaves of Grass" (new episode) Human Voices Wake Us

An episode from 6/18/24: This is the seventh in a series of readings from biographies of Walt Whitman. I continue with Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass. Previous readings from Whitman biographies are here. Tonight, Zweig discusses the nature of Whitman's notebooks and journals up through the 1855 publication of the first edition of Leaves of Grass. The necessity Whitman felt, even in his notebooks, for addressing a public audience, and the influence of prose (Carlye, Emerson, the King James Bible) on his revolutionary poetry, all offer great insight into how Whitman was able to achieve what he did. You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series. Email me at humanvoiceswakeus1@gmail.com. — Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support
  1. Walt Whitman's Life #7: His Notebooks & the Publication of "Leaves of Grass" (new episode)
  2. The Most Brutal Scenes (new episode)
  3. The Great Myths #24: Sigurd & the Dragon (new episode)
  4. Ted Hughes: 14 Poems from "Crow" (new episode)
  5. Anthology: Poems on Modern Life (new episode)
  6. An Interview with Amit Majmudar (new episode)
  7. Ted Hughes: 11 Poems from "Remains of Elmet" (new episode)
  8. Anthology: Visionary Poems from Yeats, Whitman, Blake & Myth (new episode)
  9. Wallace Stevens: 11 Essential Poems
  10. Ted Hughes: 6 Poems from "River"

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