I walk among the rows of bowed heads –
the children are sleeping through fourth grade
so as to be ready for what is ahead,
the monumental boredom of junior high
and the rush forward tearing their wings
loose and turning their eyes forever inward.
These are the children of Flint, their fathers
work at the spark plug factory or truck
bottled water in 5 gallon sea-blue jugs
to the widows of the suburbs. You can see
already how their backs have thickened,
how their small hands, soiled by pig iron,
leap and stutter even in dreams. I would like
to sit down among them and read slowly
from The Book of Job until the windows
pale and the teacher rises out of a milky sea
of industrial scum, her gowns streaming
with light, her foolish words transformed
into song, I would like to arm each one
with a quiver of arrows so that they might
rush like wind there where no battle rages
shouting among the trumpets, Hal Ha!
How dear the gift of laughter in the face
of the 8 hour day, the cold winter mornings
without coffee and oranges, the long lines
of mothers in old coats waiting silently
where the gates have closed. Ten years ago
I went among these same children, just born,
in the bright ward of the Sacred Heart and leaned
down to hear their breaths delivered that day,
burning with joy. There was such wonder
in their sleep, such purpose in their eyes
dosed against autumn, in their damp heads
blurred with the hair of ponds, and not one
turned against me or the light, not one
said, I am sick, I am tired, I will go home,
not one complained or drifted alone,
unloved, on the hardest day of their lives.
Eleven years from now they will become
the men and women of Flint or Paradise,
the majors of a minor town, and I
will be gone into smoke or memory,
so I bow to them here and whisper
all I know, all I will never know.

Philip Levine, 1928-2015 – “Among Children” from What Work Is



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#220: The working poor and a so-so murder show Human Voices Wake Us

An episode from 3/9/26: Tonight, I read from Barbara Ehrenreich’s 2001 book Nickle and Dimed: On (Not) Getting by in America. After that, I talk about the recent TV show The Killing, as a way in to talking about our obsession and desire for criticism, objectivity, and certainty. Isn’t privacy and the subjective more fruitful? Both parts of this episode are related to essays in my book Notes from the Grid.What is your equivalent of these passages? Email me or send an audio file to humanvoiceswakeus1@gmail.com, and I may use it in an upcoming episode.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #220: The working poor and a so-so murder show
  2. #219: When a paragraph changes your life
  3. #218: Poetry to Live By
  4. #217: Voices from 1900-1914
  5. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  6. #215: 8 Favorite Poems from "Time and the River"
  7. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  8. #213: Van Gogh's Early Years
  9. #212: The Most Popular Story in Ancient India
  10. #211: Who Was William Cullen Bryant?

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