Read the other Great Myths here

[High said:]“There was someone called Gymir, and his wife Aurboda. She was of the race of mountain-giants. Gerd is their daughter, the most beautiful of all women. It happened one day that Freyr had gone into Hlidskialf and was looking over all worlds, and when he looked to the north he saw on a certain homestead a large and beautiful building, and to this building went a woman, and when she lifted her arms and opened the door for herself, light was shed from her arms over both sky and sea, and all worlds were made bright by her. And his punishment for his great presumption in having sat in that holy seat was that he went away full of grief. And when he got home he said nothing, he neither slept nor drank; no one dared to try to speak with him. Then Niord sent for Freyr’s servant Skirnir, and bade him go to Freyr and try to get him to talk and ask who he was so angry with that he would not speak to anyone. Skirnir said he would go though he was not keen, and said unpleasant answers were to be expected from him. And when he got to Freyr he asked why Freyr was so downcast and would not speak to anyone. Then Freyr replied and said he had seen a beautiful woman and for her sake he was so full of grief that he would not live long if he were not to have her.

“ ‘And now you must go and ask for her hand on my behalf and bring her back here whether her father is willing or not, and I shall reward you well for it.’

“Then Skirnir replied, saying that he would undertake the mission, but Freyr must give him his sword. This was such a good sword that it would fight on its own. But Freyr did not let the lack of that be an obstacle and gave him the sword. Then Skirnir went and asked for the woman’s hand for him and received the promise from her, and nine nights later she was to go to the place called Barey and enter into marriage with Freyr. But when Skirnir told Freyr the result of his errand he said this:

‘Long is a night, long is a second, how can I suffer for three? Often has a month seemed shorter to me than half this wedding-eve.’

“This is the reason for Freyr so being unarmed when he fought Beli, killing him with a stag’s antler.”

Then spoke Gangleri: “It is very strange that such a prince as Freyr should want to give away his sword when he did not have another that was as good! This would have been a terrible handicap for him when he fought with the one called Beli. I dare swear by my faith that he must then have regretted this gift.”

Then High replied: “It did not matter much when he and Beli met. Freyr could have killed him with his fist. There will come a time when Freyr will find being without the sword a greater disadvantage when Muspell’s sons come and wage war.”

– from the “Gylfaginning” in the Prose Edda,
translated by Anthony Faulkes, Edda, 31-32


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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