from Peter Ackroyd, at the end of his first volume on the history of England:

When we look over the course of human affairs we are more likely than not to find only error and confusion. I have already explained, in the course of this narrative, that the writing of history is often another way of defining chaos. There is in fact a case for saying that human history, as it is generally described and understood, is the sum total of accident and unintended consequences.

So the great movements of the period, as described in the present narrative, may seem to be without direction and without explanation except in terms of day-to-day expediency; in that sense they are without historical meaning. What seem to be, in retrospect, the greatest and most important changes tend to go unnoticed at the time. We may take the slow progress of the English parliament as an example. The government of king with parliament was not framed after a model; the various parts and powers of the national assembly emerged from occasional acts, the significance of which was not understood, or from decisions reached by practical considerations and private interests. The entry of knights and townsmen, later to become known as “the Commons,” provoked no interest or surprise. It was a matter of indifference.

      Everything grows out of a soil of contingent circumstance. Convenience, rather than the shibboleth of progress or evolution, is the agent of change. Error and misjudgment therefore play a large part in what we are pleased to call the “development” of institutions. A body of uses and misuses then takes on the carapace of custom and becomes part of a tradition. It should be noticed, in a similar spirit, that most of the battles fought in medieval England were governed by chance—a surprise charge, or a sudden storm, might decisively change the outcome. This should come as no surprise. Turmoil and accident and coincidence are the stuff of all human lives. They are also the abiding themes of fiction, of poetry and of drama.

      One result of historical enquiry is the recognition of transience; the most fervent beliefs will one day be discredited, and the most certain certainties will be abandoned. Opinions are as unstable and as evanescent as the wind. We may invoke, with George Meredith, “Change, the strongest son of Life.”

– Peter Ackroyd, The History of England, Volume 1: Foundation, 442-3


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  1. […] Peter Ackroyd’s history of England (by way of this): “History is an accident…Everything grows out of a soil of contingent circumstance. […]

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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
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