5 Elegies by Seamus Heaney

Poetry Friday: The Great Year, Shakespeare, Eliot, Blake, Poems on Work & Poems on Mythology Human Voices Wake Us

Earlier this year, I thought it was possible to supplement this podcast with one weekly (and shorter) additional reading over at Substack; for many reasons, that ambition proved impossible to maintain. Since an illness has kept me from recording a new episode this week, I thought it worthwhile collecting those six weeks of shorter readings here: 3 Poems from my long work-in-progress, The Great Year: “The Autumn Village,” “I was in Iceland centuries ago, ” “Smith Looks Up the Long Road” Two readings from Shakespeare: “Of comfort no man speak” (Richard II, act II scene 2), “All the world’s a stage” (As You Like It, act II scene 7) 3 Poems on Work: Philip Levine (1928-2015): “Among Children,” Elma Mitchell (1919-2000), “Thoughts After Ruskin," Mary Robinson (1758-1800), “A London Summer Morning” Favorites from T. S. Eliot’s Four Quartets Three Poets & Mythology: Eavan Boland (1944-2020), “The Making of an Irish Goddess," Michael Longley (b. 1939) “The Butchers," Robert Pinsky (b. 1940), “The Figured Wheel” Blake & His Animals: Three passages from William Blake (1757-1827): one from Visions of the Daughters of Albion and the last two from Milton. I hope that plucking these three passages from his longer work can suggest how varied—not just how prophetic and opaque, but simply beautiful—so much of his poetry can be. Don’t forget to support Human Voices Wake Us on Substack, where you can also get our newsletter and other extras. You can also support the podcast by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. Any comments, or suggestions for readings I should make in later episodes, can be emailed to humanvoiceswakeus1@gmail.com. — Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support
  1. Poetry Friday: The Great Year, Shakespeare, Eliot, Blake, Poems on Work & Poems on Mythology
  2. Caravaggio's Severed Heads / Herodotus Among the Scythians / Ian McKellen on Macbeth
  3. Raising a Musical Prodigy / God's Response to Job
  4. Seamus Heaney: 10 Essential Poems
  5. Psalm 23 / Mary, Queen of Scots is Executed / 3 Poems by Mary Oliver

from “Clearances”

When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.

So while the parish priest at her bedside
Went hammer and tongs at the prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives –
Never closer the whole rest of our lives.

 

 


The Strand

The dotted line my father’s ashplant made
On Sandymount Strand
Is something else the tide won’t wash away.

 

 


Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbours drove me home.

In the porch I met my father crying –
He had always taken funerals in his stride –
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were ‘sorry for my trouble’.
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four-foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four-foot box, a foot for every year.

 

 


Limbo

Fishermen at Ballyshannon
Netted an infant last night
Along with the salmon.
An illegitimate spawning,

A small one thrown back
To the waters. But I’m sure
As she stood in the shallows
Ducking him tenderly

Till the frozen knobs of her wrists
Were dead as the gravel,
He was a minnow with hooks
Tearing her open.

She waded in under
The sign of the cross.
He was hauled in with the fish.
Now limbo will be

A cold glitter of souls
Through some far briny zone.
Even Christ’s palms, unhealed,
Smart and cannot fish there.

 

 


The Strand at Lough Beg

In Memory of Colum McCartney

All round this little island, on the strand
Far down below there, where the breakers strive
Grow the tall rushes from the oozy sand.
– Dante, Purgatorio, I, 100-3

Leaving the white glow of filling stations
And a few lonely streetlamps among fields
You climbed the hills toward Newtownhamilton
Past the Fews Forest, out beneath the stars –
Along the road, a high, bare pilgrim’s track
Where Sweeney fled before the bloodied heads,
Goat-beards and dogs’ eyes in a demon pack
Blazing out of the ground, snapping and squealing.
What blazed ahead of you? A faked road block?
The red lamp swung, the sudden brakes and stalling
Engine, voices, heads hooded and the cold-nosed gun?
Or in your driving mirror, tailing headlights
That pulled out suddenly and flagged you down
Where you weren’t known and far from what you knew:
The lowland clays and waters of Lough Beg,
Church Island’s spire, its soft treeline of yew.

There you used hear guns fired behind the house
Long before rising time, when duck shooters
Haunted the marigolds and bulrushes,
But still were scared to find spent cartridges,
Acrid, brassy, genital, ejected,
On your way across the strand to fetch the cows.
For you and yours and yours and mine fought shy,
Spoke an old language of conspirators
And could not crack the whip or seize the day:
Big-voiced scullions, herders, feelers round
Haycocks and hindquarters, talkers in byres,
Slow arbitrators of the burial ground.

Across that strand of ours the cattle graze
Up to their bellies in an early mist
And now they turn their unbewildered gaze
To where we work our way through squeaking sedge
Drowning in dew. Like a dull blade with its edge
Honed bright, Lough Beg half shines under the haze.
I turn because the sweeping of your feet
Has stopped behind me, to find you on your knees
With blood and roadside muck in your hair and eyes,
Then kneel in front of you in brimming grass
And gather up cold handfuls of the dew
To wash you, cousin. I dab you clean with moss
Fine as the drizzle out of a low cloud.
I lift you under the arms and lay you flat.
With rushes that shoot green again, I plait
Green scapulars to wear over your shroud.