TSEHere is a favorite bit from a youthful T. S. Eliot (he’s just turned thirty but that’s young to me now). After leaving America for England and abandoning the job at Harvard his family was expecting of him, he made an unfortunate marriage and started a literary life of day job, essays and reviews. He eventually had enough essays for a small book which he called The Sacred Wood. On January 6, 1919, he wrote to a friend in New York on the possibility of the book being published in America, no doubt echoing the anxieties of many writers. His father died the day after this letter was written:

I am not at all proud of the book—the prose part consists of articles written under high pressure in the overworked, distracted existence of the last two years, and very rough in form. But it is important to me that it should be published for private reasons. I am coming to America to visit my family some time within the summer or autumn, and I should particularly like to have it appear first. You see I settled over here in the face of strong family opposition, on the claim that I found the environment more favourable to the production of literature. This book is all I have to show for my claim—it would go toward making my parents contented with conditions—and towards satisfying them that I have not made a mess of my life, as they are inclined to believe. The sooner it is out therefore the better, especially in view of my approaching visit. Forgive these domestic details, but I wanted you to understand why I am so very anxious to get the book printed. (Letters Volume 1, Revised Edition, 315)


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#230 – The mythology of the bear, and Byron gets apocalyptic Human Voices Wake Us

An episode from 5/18/26: Tonight I read about the bear in folklore and mythology from two books everybody should have on their shelves: the Taschen Book of Symbols and the Penguin Dictionary of Symbols. Browsing through either puts you in contact with our best stories and, with the Taschen book, some of our best artwork.Next, I read Lord Byron’s (1788-1824) apocalyptic poem Darkness from 1816. You can read more about the volcanic eruption that inspired poem, and produced the “year without summer,” here.Finally, I read a few passages on revelation and the religious experience from the rabbi, theologian and civil rights activist Abraham Joshua Heshel’s (1907-1962) God in Search of Man: A Philosophy of Judaism.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #230 – The mythology of the bear, and Byron gets apocalyptic
  2. #229 : Mother Earth and myths of mining and agriculture
  3. #228 – What Ted Bundy did on July 14, 1974
  4. #227 – The Great Fire of London and the destruction of Jerusalem
  5. #226: The Vitality and terror of cities
  6. #225 – The invention of the wheel, and the power of storytelling
  7. #224: Let's talk about William Blake
  8. #223 – How to write two novels at the same time, with Charles Dickens
  9. #222: Seamus Heaney – 10 Essential Poems
  10. #221: Volcanoes, Plagues & the Childhood of a Kabbalist

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