Rig Veda 10:71: The Origins of Sacred Speech

Bṛhaspati! When they set in motion the first beginning of speech, giving names, their most pure and perfectly guarded secret was revealed through love.

      When the wise ones fashioned speech with their thought, sifting it as grain is sifted through a sieve, then friends recognized their friendships. A good sign was placed on their speech.

      Through the sacrifice they traced the path of speech and found it inside the sages. They held it and portioned it out to many; together the seven singers praised it.

      One who looked did not see speech, and another who listens does not hear it. It reveals itself to someone as a loving wife, beautifully dressed, reveals her body to her husband.

      One person, they said, has grown awkward and heavy in this friendship; they no longer urge him forward in the contests. He lives with falsehood like a milkless cow, for the speech that he has heard has no fruit no flower.

      A man that abandons a friend who has learned with him no longer has a share in speech. What he does hear he hears in vain, for he does not know the path of good action.

      Friends have eyes and ears, but their flashes of insight are not equal. Some are like ponds that reach only to the mouth or shoulders; others are like ponds that one could bathe in.

      When the institutions of the mind are shaped in the heart, when Brahmins perform sacrifices together as friends, some are left behind for lack of knowledge, while others surpass them with the power to praise.

      Those who move neither near nor far, who are not real Brahmins nor pressers of the Soma; using speech in a bad way, they weave on a weft of rags, without understanding.

      All his friends rejoice in the friend who emerges with fame and victory in the contest. He saves them from error and gives them food. He is worthy to be pushed forward to win the prize.

      One sits bringing to blossom the flower of the verses. Another sings a song in the Śakvarī metre. One, the Brahmin, proclaims the knowledge of the ancient ways. Another lays out the measure of the sacrifice.

 


Rig Veda 10:125: Speech Praises Itself

I move with the Rudras, with the Vasus, with the Ādityas and all the gods. I carry both Mitra and Varuṇa, both Indra and Agni, and both of the Aśvins.  

      I carry the swelling Soma, and Tvaṣṭṛ, and Pūṣan and Bhaga. I bestow wealth on the pious sacrifice who presses the Soma and offers the oblation.

      I am the queen, the confluence of riches, the skilful one who is first among those worthy of sacrifice. The gods divided me up into various parts, for I dwell in many places and enter into many forms.

      The one who eats food, who truly sees, who breathes, who hears what is said, does so through me. Though they do not realize it, they dwell in me. Listen, you whom they have heard: what I tell you should be heeded.

      I am the one who says, by myself, what gives joy to gods and men. Whom I love I make awesome; I make him a sage, a wise man, a Brahmin.

      I stretch the bow for Rudra so that his arrow will strike down the hater of prayer. I incite the contest among the people. I have pervaded sky and earth.

      I gave birth to the father on the head of this world. My womb is in the waters, within the ocean. From there I spread out over all creatures and touch the very sky with the crown of my head.

      I am the one who blows like the wind, embracing all creatures. Beyond the sky, beyond this earth, so much have I become in my greatness.

      – from The Rig Veda: An Anthology, translated by Wendy Doniger


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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