Images: Picasso Mostly in Pencil
Taken from John Richardson’s biographies of Picasso: Advertisements
Images: Egon Shiele Predicts the 20th Century
The Austrian artist Egon Schiele’s bizarre and brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that were to come. And even as the more famous artists from the period, and their perhaps “better” work still feels dated and rooted to the time they were created. Shiele seems like he […]
Voices behind the words : An interview series with writers (Interview #12, Jonah Finn of Crime Poetry)
Originally posted on Real Free - Flowing Words:
Welcome readers to another entry on “Voices behind the words: An interview series with words. This is the 2nd time I’ve had a trifecta of writer interviews on this series. The other time was in February. I digress, this time around I spoke with the poet Tim Miller, who has begun writing…
Ted Hughes – “Crow’s Song about God”
Crow’s Song about God Somebody is sitting Under the gatepost of heaven Under the lintel On which are written the words: “Forbidden to the living.” A knot of eyes, eyeholes, lifeless, in the life-shape A rooty old oak-stump, aground in the ooze Of some putrid estuary, Snaggy with amputations, His fingernails broken and bitten, His hair vestigial and purposeless, his […]
Risking the Sacred – an essay by Tim Miller
Originally posted on Amethyst Review:
RISKING THE SACRED Many years ago now, while living in California, I was sitting in a mostly-empty university library, surprised to find a literary manifesto in a fairly prominent US magazine. Seeing almost immediately that it was just a lot of posturing and attitude, I gave up. Turning, I saw that behind me on a shelf was a set of books, Civilizations of the Ancient Near East, an area of history whose religion and mythology—from Egypt to Mesopotamia and early Judaism—had always held my interest. I gladly pulled the first volume off the shelf, and put the magazine aside. Up until now, hindsight always made this the moment when I chose an interest in “the sacred in literature” over the much larger net of “literature” itself. But just as the order and meaning derived from religion is often used to oppose the random cruelty of everyday life, I’ve spent more than a decade writing a short book that seeks to deny this characterization and unite the religion and everyday life. I’ve also never bought the argument that science and religion are necessarily opposed to one another. So why would I have continued so long loving the rift (for lack of a better phrase) between sacred and secular literature? The first answer is because it was helpful. Any bold attempt to carve out an identity or a boundary for oneself, even if it is not technically…
New Essay On Writing & Publishing at the Seattle Book Review
Ahead of the publication of my book of stories (The Lonely Young & the Lonely Old) in June, the Seattle Book Review just published this essay of mine, on “generous chance encounters in publishing…”
Images: The Act of Writing
