There are sayings on the use of arms:
“Let us not be aggressors,
but defend.”
“Let us not advance an inch,
but retreat a foot.”
This is called carrying out no action,
shaking no arm,
facing no enemy,
wielding no weapon.
No calamity is greater
than underestimating opponents.
If you underestimate opponents,
you’re close to losing your treasure.
So when opposing armies clash,
the compassionate
are the ones who win.

– Thomas Cleary

 

In warfare there is a saying
rather than a host
better to be a guest
rather than advance an inch
better to retreat a foot
this means to form no ranks
to put on no armor
to brandish no weapons
to repulse no enemy
no fate is worse than to have no enemy
to have no enemy is to lose one’s treasure
thus when opponents are evenly matched
the remorseful one prevails

– Red Pine

 

Those who wage war often say:
“We prefer response to invitation,
The span withdrawn to the inch gained.”
This is formation that does not go forward,
Deflection with hand unraised,
The firm grip that holds no sword,
And the thrust that cannot be countered.
But “having no foe” is the greatest threat.
It leads to the loss of our triple treasure.
Once battle is joined, who gives way wins.

– Moss Roberts


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#238 – Georgia O'Keeffe in New Mexico Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 – Georgia O'Keeffe in New Mexico
  2. #237 – Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 – At home with Bach
  4. #235 – London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 – The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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