There are sayings on the use of arms:
“Let us not be aggressors,
but defend.”
“Let us not advance an inch,
but retreat a foot.”
This is called carrying out no action,
shaking no arm,
facing no enemy,
wielding no weapon.
No calamity is greater
than underestimating opponents.
If you underestimate opponents,
you’re close to losing your treasure.
So when opposing armies clash,
the compassionate
are the ones who win.

– Thomas Cleary

 

In warfare there is a saying
rather than a host
better to be a guest
rather than advance an inch
better to retreat a foot
this means to form no ranks
to put on no armor
to brandish no weapons
to repulse no enemy
no fate is worse than to have no enemy
to have no enemy is to lose one’s treasure
thus when opponents are evenly matched
the remorseful one prevails

– Red Pine

 

Those who wage war often say:
“We prefer response to invitation,
The span withdrawn to the inch gained.”
This is formation that does not go forward,
Deflection with hand unraised,
The firm grip that holds no sword,
And the thrust that cannot be countered.
But “having no foe” is the greatest threat.
It leads to the loss of our triple treasure.
Once battle is joined, who gives way wins.

– Moss Roberts


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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