The Way is the pivot of all things:
the treasure of good people,
the safeguard of those who are not good.
Find words can be sold,
honored acts can oppress people;
why should people who are not good abandon them?
Therefore to establish an emperor
and set up high officials,
one may have a great jewel
and drive a team of horses,
but that is not as good
as advancing calmly on this Way.
Why did the ancients value this Way?
By it one can attain without long seeking
and escape from the faults one has;
therefore it is valued by the world.

– Thomas Cleary

 

The Tao is creation’s sanctuary
treasured by the good
it keeps the bad alive
beautiful words might be the price
noble deeds might be the gift
how can we abandon
people who are bad
thus when emperors are enthroned
or ministers installed
though there be great disks of jade
followed by teams of horses
they don’t rival one who sits
and offers up this Way
the ancients thus esteemed it
for did they not proclaim
who seeks thereby obtains
who errs thereby escapes
thus the world esteems it

– Red Pine

 

A midden for the myriad,
The Way is sacred to men of merit
And a safeguard to all who do wrong.
Fine words may buy high station,
Find deeds win men’s acclaim,
But why turn from those who do wrong?
For when the son of heaven is enthroned,
And his three elder statesmen were installed,
Better to counsel them in the Way
Than ride an envoy’s four-horse coach
Heralded by the jade disc of state.
Why did men of old honor the Way?
Has it not been said, “Through the Way
Shall right be found, wrongdoers paid”?
For this the world honors the Way.

– Moss Roberts


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#238 – Georgia O'Keeffe in New Mexico Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 – Georgia O'Keeffe in New Mexico
  2. #237 – Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 – At home with Bach
  4. #235 – London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 – The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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