When the government is unobtrusive,
the people are pure.
When the government is invasive,
the people are wanting.
Calamity is what fortune depends upon;
fortune is what calamity subdues.
Who knows how it will all end?
Is there no right and wrong?
The orthodox becomes unorthodox,
the good also becomes ill;
people’s confusion
is indeed long-standing.
Therefore sages are upright without causing injury,
honest without hurting,
direct but not tactless,
illumined but not flashy.

– Thomas Cleary

 

Where the government stands aloof
the people open up
where the government steps in
the people slip away
happiness rests in misery
misery hides in happiness
who knows where these end
for nothing is direct
directness becomes deception
and good becomes evil
the people have been lost
for a long long time
thus the sage is an edge that doesn’t cut
a point that doesn’t pierce
a line that doesn’t extend
a light that doesn’t blind

– Red Pine

 

Under rule restrained but caring
Simple and wholesome stay the ruled;
But under rule that probes and prods
They connive and they contrive.
Good fortune stands beside ill fate;
Beneath good fortune ill fate hides.
Who can find the turning point?
For it there is no standard rule:
Rule reverses to exception,
Boon reverses to affliction,
For which men have lost direction
For a time of long duration.
This is why the wise who rule
Keep to the square but form no edge,
Gather gains but will not thrust,
Stay straight and true but cross no line;
And shed light but not to blind.

– Moss Roberts


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#238 – Georgia O'Keeffe in New Mexico Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 – Georgia O'Keeffe in New Mexico
  2. #237 – Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 – At home with Bach
  4. #235 – London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 – The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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