When the government is unobtrusive,
the people are pure.
When the government is invasive,
the people are wanting.
Calamity is what fortune depends upon;
fortune is what calamity subdues.
Who knows how it will all end?
Is there no right and wrong?
The orthodox becomes unorthodox,
the good also becomes ill;
people’s confusion
is indeed long-standing.
Therefore sages are upright without causing injury,
honest without hurting,
direct but not tactless,
illumined but not flashy.

– Thomas Cleary

 

Where the government stands aloof
the people open up
where the government steps in
the people slip away
happiness rests in misery
misery hides in happiness
who knows where these end
for nothing is direct
directness becomes deception
and good becomes evil
the people have been lost
for a long long time
thus the sage is an edge that doesn’t cut
a point that doesn’t pierce
a line that doesn’t extend
a light that doesn’t blind

– Red Pine

 

Under rule restrained but caring
Simple and wholesome stay the ruled;
But under rule that probes and prods
They connive and they contrive.
Good fortune stands beside ill fate;
Beneath good fortune ill fate hides.
Who can find the turning point?
For it there is no standard rule:
Rule reverses to exception,
Boon reverses to affliction,
For which men have lost direction
For a time of long duration.
This is why the wise who rule
Keep to the square but form no edge,
Gather gains but will not thrust,
Stay straight and true but cross no line;
And shed light but not to blind.

– Moss Roberts


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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