Good construction does not fall down,
a good embrace does not let go;
their heirs honor them unceasingly.
Cultivate it in yourself, and that virtue is real;
cultivate it in the home, and that virtue is abundant;
cultivate it in the locality, and that virtue lasts;
cultivate it in the nation, and that virtue is rich;
cultivate it in the world, and that virtue is universal.
So observe yourself by yourself,
observe the home by the home,
observe the locality by the locality,
observe the nation by the nation,
observe the world by the world.
How do I know the world is as it is?
By this.

– Thomas Cleary

 

What you plant well can’t be uprooted
what you hold well can’t be taken away
your descendants will worship this forever
cultivated in yourself virtue becomes real
cultivated in your family virtue grows
cultivated in your village virtue multiplies
cultivated in your state virtue abounds
cultivated in your world virtue is everywhere
thus view others through yourself
view families through your family
view villages through your village
view states through your state
view other worlds through your world
how do you know what other worlds are like
through this one

– Red Pine

 

Virtue well-founded nothing uproots;
Virtue fast-bound no one can steal;
And this ensures through generations
The sacred services be not cut off.
Cultivated in his character,
His virtue is pure and simple.
Cultivated in his clan,
His virtue well suffices.
Cultivated in his district,
His virtue offers leadership.
Cultivated in his kingdom,
His virtue brings prosperity.
Cultivated in this realm below,
His virtue knows no limitation.
This is the reason to consider
Character in terms of character,
Clan in terms of clan,
District in terms of district,
Kingdom in terms of kingdom,
And the world below as the world below.
How do I know this is true of the realm?
By this very means.

– Moss Roberts


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#238 – Georgia O'Keeffe in New Mexico Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 – Georgia O'Keeffe in New Mexico
  2. #237 – Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 – At home with Bach
  4. #235 – London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 – The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

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Discover more from Tim Miller

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