The Way is essentially nameless.
Though simplicity is small,
the world cannot subordinate it.
If lords and monarchs can keep to it,
all beings will naturally resort to them.
Heaven and earth combine,
thus showering sweet dew.
No humans command it;
it is even by nature.
Start fashioning, and there are names;
once names also exist,
you should know when to stop.
By knowing when to stop,
you are not endangered.
The Way is to the world
as rivers and oceans to valley streams.

– Thomas Cleary

 

The Tao remains unnamed
simple and though small
no one can command it
if a lord upheld it
the world would be his guest
when Heaven joins with Earth
they bestow sweet dew
no one gives the order
it comes down to all
the first distinction gives us names
once we have a name
we should know restraint
who knows restraint avoids trouble
to picture the Tao in the world
imagine a stream and the sea

– Red Pine

 

The Way continues on unnamed.
Though in its unhewn rawness low and humble,
None in the realm can force it to serve.
When lords and kings to this Way keep,
Ten thousand things as honored guests attend.

When heaven and earth conjoined and shed skymead,
Uncommanded the people shared it fairly.
But the advent of rule brought names;
And names meant mastering restraint.
To master restraint ensures survival.
The Way’s a presence in the realm of men,
As valley streams join rivers, then the ocean.

– Moss Roberts


Discover more from Tim Miller

Subscribe to get the latest posts to your email.

#238 – Georgia O'Keeffe in New Mexico Human Voices Wake Us

An episode from 8/17/26: Tonight, we look at the years of intense simplicity that the American artist Georgia O'Keeffe (1887-1986) spent in New Mexico. Attached to the area from her first visit to Taos in 1929, over the next fifteen years she continued to travel and paint there. In 1949 she moved to New Mexico permanently and achieved the kind of bare-bones life, seclusion from the wider world, and level of intimacy with the natural world she had long sought. The books I read from are Laurie Lisle's biography, Portrait of an Artist, and Georgia O'Keeffe, a large book of reproductions and commentary by O'Keeffe herself.The paintings of hers that O'Keeffe mentions in the episode are: The Grey Hills (1942) (the painting called Grey Hills 2, which she describes as looking like miles of elephants, is not online); Black Place III (1944), Patio with Black Door (1955), Road Past the View I (1964), and Black Rock with Blue III (1970).The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #238 – Georgia O'Keeffe in New Mexico
  2. #237 – Al Pacino remembers his childhood, and Eleanor Roosevelt finds herself
  3. #236 – At home with Bach
  4. #235 – London in 2011, London in the 1660s
  5. #234: The Intensity of Private Moments
  6. #233: Talking Baseball with Tom Hart
  7. #232: Ted Hughes in Alaska
  8. #231: The mythology of the moon
  9. #230 – The mythology of the bear, and Byron gets apocalyptic
  10. #229 : Mother Earth and myths of mining and agriculture

Discover more from Tim Miller

Subscribe now to keep reading and get access to the full archive.

Continue reading

Discover more from Tim Miller

Subscribe now to keep reading and get access to the full archive.

Continue reading