For the countenance of great virtue,
only the Way is to be followed.
As a thing, the Way is abstract and elusive:
elusive and abstract, there are images in it;
abstract and elusive, there is something there.
Recondite, hidden, it has vitality therein:
that vitality is very real;
it has truth therein.
From ancient times to now,
its name is the undeparting;
thereby are seen all beauties.
How do I know all beauties are thus?
By this.

– Thomas Cleary

 

The appearance of Empty Virtue
this is what comes from the Tao
the Tao as a thing
waxes and wanes
it waxes and wanes
but inside is an image
it wanes and waxes
but inside is a creature
it’s distant and dark
but inside is an essence
an essence that is real
inside which is a heart
throughout the ages
its name hasn’t changed
so we might follow our fathers
how do we know what our fathers were like
by means of this

– Red Pine

 

Boundless virtues all-accepting
Attends the Way, the Way alone.
Assuming form, the Way reveals
Shapes half-seen and then half-hid.
In dark half-lit, a likening;
In light half-dark, forms visible;
Hidden within, the germ of life;
The germ of life, no thing more real:
It contains a thing to trust.
From present time to ancient day
These names have never been forgotten;
Through them we can scrutinize
The myriad millions’ genesis.
How do we know of their formation?
Through the virtue of the Way.

– Moss Roberts


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#229 : Mother Earth and myths of mining and agriculture Human Voices Wake Us

An episode from 5/11/26: Tonight, I read passages on what the discoveries of agriculture and metallurgy meant for human beings, as reflected in the mythologies and rituals and stories that grew up around them. These passages are taken from sections 12 and 15 of Mircea Eliade’s History of Religious Ideas, Volume 1: From the Stone Age to the Eleusinian Mysteries.After Eliade’s rich catalogue of stories and beliefs that came out metallurgy, I read a few passages from the Hebrew Bible—Isaiah, Ezekiel, Malachi, Proverbs, and finally Job—where metallurgy is discussed literally and as metaphor. Here, metallurgy becomes a symbol of transformation imposed by God on backsliding humanity, as well as enduring symbol of wisdom and understanding.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.Email me at humanvoiceswakeus1@gmail.com.
  1. #229 : Mother Earth and myths of mining and agriculture
  2. #228 – What Ted Bundy did on July 14, 1974
  3. #227 – The Great Fire of London and the destruction of Jerusalem
  4. #226: The Vitality and terror of cities
  5. #225 – The invention of the wheel, and the power of storytelling
  6. #224: Let's talk about William Blake
  7. #223 – How to write two novels at the same time, with Charles Dickens
  8. #222: Seamus Heaney – 10 Essential Poems
  9. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  10. #220: The working poor and a so-so murder show

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