For the countenance of great virtue,
only the Way is to be followed.
As a thing, the Way is abstract and elusive:
elusive and abstract, there are images in it;
abstract and elusive, there is something there.
Recondite, hidden, it has vitality therein:
that vitality is very real;
it has truth therein.
From ancient times to now,
its name is the undeparting;
thereby are seen all beauties.
How do I know all beauties are thus?
By this.

– Thomas Cleary

 

The appearance of Empty Virtue
this is what comes from the Tao
the Tao as a thing
waxes and wanes
it waxes and wanes
but inside is an image
it wanes and waxes
but inside is a creature
it’s distant and dark
but inside is an essence
an essence that is real
inside which is a heart
throughout the ages
its name hasn’t changed
so we might follow our fathers
how do we know what our fathers were like
by means of this

– Red Pine

 

Boundless virtues all-accepting
Attends the Way, the Way alone.
Assuming form, the Way reveals
Shapes half-seen and then half-hid.
In dark half-lit, a likening;
In light half-dark, forms visible;
Hidden within, the germ of life;
The germ of life, no thing more real:
It contains a thing to trust.
From present time to ancient day
These names have never been forgotten;
Through them we can scrutinize
The myriad millions’ genesis.
How do we know of their formation?
Through the virtue of the Way.

– Moss Roberts


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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