Infatuation

She’d be nearing middle age by now,
the girl all over Dylan’s journal
whose name the books all black out,

the girl no girl wants to be, loved by him,
the boy she would never write about herself
unless she loved nervousness and decay

or was taken in by weakness and doubt,
her head anxious to fantasy by the thought
of what his touch would be, or his secrets.

She’d be nearing middle age by now,
not knowing – it’s assumed she never knew –
what her presence every day at school meant

to the one who wanted to blow it up,
the one whose face and body at least gave him
a giving pain, a generous yearning,

a buried pleasure of what love could bring
in between plans of pipe bombs and planes.
It’s not clear they ever even spoke

and he no doubt would have been unable to,
a girl not in his head but in real life
who also had every frustration

and wished for the warmth of a similar mind.
She’s in her house now or a traffic jam
and when she remembers the shooting

it’s two kids she didn’t know that make her sick;
she doesn’t know that the way her face still moves
or how she gets in or out of the car

or how it is that she begins to speak –
she doesn’t know what any of these meant
for the one whose last weakness was for her.


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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