Rain. Floods. Frost. And after frost, rain.
Dull roof-drumming. Wraith-rain pulsing across purplebare woods
Like light across heaved water. Sleet in it.
And the poor fields, miserable tents of their hedges.
Mist-rain off-world. Hills wallowing
In and out of a grey or silvery dissolution. A farm gleaming,
Then all dull in the near drumming. At field-corners
Brown water backing and brimming in grass.
Toads hop across rain-hammered roads. Every mutilated leaf there
Looks like a frog or a rained-out mouse. Cattle
Wait under blackened backs. We drive post-holes.
They half fill with water before the post goes in.
Mud-water spurts as the iron bar slam-burns
The oak stake-head dry. Cows
Tamed on the waste mudded like a rugby field
Stand and watch, come very close for company
In the rain that goes on and on, and gets colder.
They sniff the wire, sniff the tractor, watch. The hedges
Are straggles of gap. A few haws. Every half-ton cow
Sinks to the fetlock at every sliding stride.
They are ruining their field and they know it.
They look out sideways from under their brows which are
Their only shelter. The sunk scrubby wood
Is a pulverised wreck, rain riddles its holes
To the drowned roots. A pheasant looking black
In his waterproofs, bends at his job in the stubble.
The mid-afternoon dusk soaks into
The soaked thickets. Nothing protects them.
The fox corpses lie beaten to their bare bones,
Skin beaten off, brains and bowels beaten out.
Nothing but their blueprint bones last in the rain,
Sodden soft. Round their hay racks, calves
Stand in a shine of mud. The gateways
Are deep obstacles of mud. The calves look up, through plastered forelocks,
Without moving. Nowhere they can go
Is less uncomfortable. The brimming world
And the pouring sky are the only places
For them to be. Fieldfares squeal over, sodden
Toward the sodden wood. A raven,
Cursing monotonously, goes over fast
And vanishes in rain-mist. Magpies
Shake themselves hopelessly, hop in the spatter. Misery.
Surviving green of ferns and brambles is tumbled
Like an abandoned scrapyard. The calves
Wait deep beneath their spines. Cows roar
Then hang their noses to the mud.
Snipe go over, invisible in the dusk,
With their squelching cries.

4 December 1973

Ted Hughes, 1930-1998 – “October Salmons” from Moortown Diary



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#220: The working poor and a so-so murder show Human Voices Wake Us

An episode from 3/9/26: Tonight, I read from Barbara Ehrenreich’s 2001 book Nickle and Dimed: On (Not) Getting by in America. After that, I talk about the recent TV show The Killing, as a way in to talking about our obsession and desire for criticism, objectivity, and certainty. Isn’t privacy and the subjective more fruitful? Both parts of this episode are related to essays in my book Notes from the Grid.What is your equivalent of these passages? Email me or send an audio file to humanvoiceswakeus1@gmail.com, and I may use it in an upcoming episode.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
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