Squarings #2
Roof it again. Batten down. Dig in.
Drink out of tin. Know the scullery cold,
A latch, a door-bar, forged tongs and a grate.

Touch the cross-beam, drive iron in a wall,
Hang a line to verify the plumb
From lintel, coping-stone and chimney-breast.

Relocate the bedrock in the threshold.
Take squarings from the recessed gable pane.
Make your study the unregarded floor.

Sink every impulse like a bolt. Secure
The bastion of sensation. Do not waver
Into language. Do not waver in it.


Squarings #8
The annals say: when the monks of Clonmacnoise
Were all at prayers inside the oratory
A ship appeared above them in the air.

The anchor dragged along behind so deep
It hooked itself into the altar rails
And then, as the big hull rocked to a standstill,

A crewman shinned and grappled down the rope
And struggled to release it. But in vain.
‘This man can’t bear our life here and will drown,’

The abbot said, ‘unless we help him.’ So
They did, the freed ship sailed, and the man climbed back
Out of the marvellous as he had known it.


Squarings #40
I was four but I turned four hundred maybe,
Encountering the ancient dampish feel
Of a clay floor. Maybe four thousand even.

Anyhow, there it was. Milk poured for cats
In a rank puddle-place, splash-darkened mould
Around the terracotta water-crock.

Ground of being. Body’s deep obedience
To all its shifting tenses. A half-door
Opening directly into starlight.

Out of that earth house I inherited
A stack of singular, cold memory-weights
To load me, hand and foot, in the scale of things.

Seamus Heaney, 1939-2013 – “Squarings” from Seeing Things



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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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