“Blow, winds, and crack your cheeks! Rage, blow!” (King Lear III.ii)

Lear: Blow, winds, and crack your cheeks! Rage, blow!
You cataracts and hurricanoes, spout
Till you have drenched our steeples, drowned the cocks.
You sulph’rous and thought-executing fires,
Vaunt-couriers of oak-cleaving thunderbolts,
Singe my white head. And thou, all-shaking thunder,
Strike flat the thick rotundity o’ th’ world.
Crack nature’s molds, all germens spill at once
That makes ingrateful man.

Fool: O nuncle, court holy water in a dry house is better than this rainwater out o’ door. Good nuncle, in. Ask thy daughters’ blessing. Here’s a night pities neither wise men nor fools.

Lear: Rumble thy bellyful! Spit, fire! Spout, rain!
Nor rain, wind, thunder, fire are my daughters.
I tax not you, you elements, with unkindness.
I never gave you kingdom, called you children;
You owe me no subscription. Then let fall
Your horrible pleasure. Here I stand your slave,
A poor, infirm, weak, and despised old man.
But yet I call you servile ministers,
That will with two pernicious daughters join
Your high-engendered battles ’gainst a head
So old and white as this. O, ho, ’tis foul!


“Alas, sir, are you here? Things that love the night” (King Lear III.ii)

Kent: Alas, sir, are you here? Things that love night
Love not such nights as these. The wrathful skies
Gallow the very wanderers of the dark
And make them keep their caves. Since I was man,
Such sheets of fire, such bursts of horrid thunder,
Such groans of roaring wind and rain I never
Remember to have heard. Man’s nature cannot carry
Th’ affliction nor the fear.

Lear: Let the great gods
That keep this dreadful pudder o’er our heads
Find out their enemies now. Tremble, thou wretch,
That hast within thee undivulgèd crimes
Unwhipped of justice. Hide thee, thou bloody hand,
Thou perjured, and thou simular of virtue
That art incestuous. Caitiff, to pieces shake,
That under covert and convenient seeming
Has practiced on man’s life. Close pent-up guilts,
Rive your concealing continents and cry
These dreadful summoners grace. I am a man
More sinned against than sinning.

Kent: Alack, bareheaded?
Gracious my lord, hard by here is a hovel.
Some friendship will it lend you ’gainst the tempest.
Repose you there while I to this hard house –
More harder than the stones whereof ’tis raised,
Which even but now, demanding after you,
Denied me to come in – return and force
Their scanted courtesy.

Lear: My wits begin to turn. –
Come on, my boy. How dost, my boy? Art cold?
I am cold myself. – Where is this straw, my fellow?
The art of our necessities is strange
And can make vile things precious. Come, your hovel. –
Poor Fool and knave, I have one part in my heart
That’s sorry yet for thee.

Fool: [sings]
He that has and a little tiny wit,
With hey, ho, the wind and the rain,
Must make content with his fortunes fit,
Though the rain it raineth every day.

Lear: True, my good boy. – Come, bring us to this hovel.

William Shakespeare, 1564-1616 – from King Lear



Discover more from Tim Miller

Subscribe to get the latest posts to your email.

3 responses

  1. Have you presented any of Lear to students at U of the Third Age? I wonder what they think Lear’s take on old age is

    Liked by 1 person

  2. No, I have never presented it to the courses at the University for the Third Age.
    I presented Lear when I taught in high school, to teenagers, who were at an age and in a condition for which old age is a very distant thing that will never happen to them

    Like

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

#211: Who Was William Cullen Bryant? Human Voices Wake Us

An episode from 1/5/2026: Tonight, I read a handful of passages from Gilbert Muller’s William Cullen Bryant: Author of America. During his lifetime, Bryant (1794-1878) was the most popular poet in America as well as one of the country’s most trusted and influential editors and journalists. Through Bryant’s own words and those of his contemporaries, I trace the story of that double-prominence, and the unease many felt over the fate of Bryant’s poetry against the pressures of politics. I also address how, since his death, Bryant has become almost entirely unknown and unread.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.Email me at humanvoiceswakeus1@gmail.com.
  1. #211: Who Was William Cullen Bryant?
  2. #210: Memories & Legends of William Shakespeare
  3. #209 – Being a Jew in 1900, Being a Jew Now
  4. #208: Bach & God
  5. #207 – Death, the Gods, and Endless Life in Ancient Egypt
  6. #206 – The Discovery of Indo-European Languages – 1876
  7. #205: Learning to Read, c. 2000 BCE
  8. #204: Walt Whitman's "Crossing Brooklyn Ferry," 1856
  9. #203: Bruce Springsteen Talks About "Nebraska" – 1984
  10. #202 – A Death at Sea, 1834

Discover more from Tim Miller

Subscribe now to keep reading and get access to the full archive.

Continue reading