“Art thou not sorry for these heinous deeds?” (Titus Andronicus, V.i)

Lucius: Art thou not sorry for these heinous deeds?
Aaron: Ay, that I had not done a thousand more.
Even now I curse the day – and yet, I think,
Few come within the compass of my curse –
Wherein I did not some notorious ill,
As kill a man, or else devise his death;
Ravish a maid or plot the way to do it;
Accuse some innocent and forswear myself;
Set deadly enmity between two friends;
Make poor men’s cattle break their necks;
Set fire on barns and haystalks in the night,
And bid the owners quench them with their tears.
Oft have I digged up dead men from their graves
And set them upright at their dear friends’ door,
Even when their sorrows almost was forgot,
And on their skins, as on the bark of trees,
Have with my knife carved in Roman letters
“Let not your sorrow die, though I am dead.”
But I have done a thousand dreadful things
As willingly as one would kill a fly,
And nothing grieves me heartily indeed
But that I cannot do ten thousand more.

“Come, come, Lavinia. Look, thy foes are bound” (Titus Andronicus V.ii)

Titus: Come, come, Lavinia. Look, thy foes are bound.
Sirs, stop their mouths. Let them not speak to me,
But let them hear what fearful words I utter.
O villains, Chiron and Demetrius!
Here stands the spring whom you have stained with mud,
This goodly summer with your winter mixed.
You killed her husband, and for that vile fault
Two of her brothers were condemned to death,
My hand cut off and made a merry jest,
Both her sweet hands, her tongue, and that more dear
Than hands or tongue, her spotless chastity,
Inhuman traitors, you constrained and forced.
What would you say if I should let you speak?
Villains, for shame you could not beg for grace.
Hark, wretches, how I mean to martyr you.
This one hand yet is left to cut your throats,
Whiles that Lavinia ’tween her stumps doth hold
The basin that receives your guilty blood.
You know your mother means to feast with me,
And calls herself Revenge, and thinks me mad.
Hark, villains, I will grind your bones to dust,
And with your blood and it I’ll make a paste,
And of the paste a coffin I will rear,
And make two pasties of your shameful heads,
And bid that strumpet, your unhallowed dam,
Like to the earth swallow her own increase.
This is the feast that I have bid her to,
And this the banquet she shall surfeit on;
For worse than Philomel you used my daughter,
And worse than Procne I will be revenged.
And now prepare your throats. Lavinia, come,
Receive the blood. [He cuts their throats.]
And when that they are dead,
Let me go grind their bones to powder small,
And with this hateful liquor temper it,
And in that paste let their vile heads be baked.
Come, come, be everyone officious
To make this banquet, which I wish may prove
More stern and bloody than the Centaurs’ feast.
So. Now bring them in, for I’ll play the cook
And see them ready against their mother comes.

William Shakespeare, 1564-1616 – from Titus Andronicus



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2 responses

  1. Hi,

    I remember reading this play as a schoolboy. Both these speeches stuck in my memory (though vaguely except for “But that I cannot do ten thousand more” which remained clear). Even then and never since have I fully understood Aaron’s motivation. All other characters are clear in what they do and why. But this one seems to be there only to create mayhem and misery for its own sake. Is there no more to this than Loki’s mischief or is there something deeper at work? In what furnace was his brain? What do you think?

    Kunal

    Liked by 1 person

  2. It’s only a guess, but since it’s an early play, esp one where a young Shakespeare is having huge fun doing a death-filled tragedy, I bet your “mayhem and misery for its own sake” is closest to the truth. Shakespeare’s truly nihilistic villains seem to be evil precisely because they’re wreaking chaos simply because they can, & not even for their own ends. …on a deeper level, maybe he sees chaos & violence as forces of nature, so that they can’t be analyzed like his other characters? It’s something Cormac McCarthy in Blood Meridian would get, in the character of the Judge. …what do you think?

    Liked by 1 person

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#220: The working poor and a so-so murder show Human Voices Wake Us

An episode from 3/9/26: Tonight, I read from Barbara Ehrenreich’s 2001 book Nickle and Dimed: On (Not) Getting by in America. After that, I talk about the recent TV show The Killing, as a way in to talking about our obsession and desire for criticism, objectivity, and certainty. Isn’t privacy and the subjective more fruitful? Both parts of this episode are related to essays in my book Notes from the Grid.What is your equivalent of these passages? Email me or send an audio file to humanvoiceswakeus1@gmail.com, and I may use it in an upcoming episode.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
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