For now, and since first break of dawne the Fiend,
Meer Serpent in appearance, forth was come,
And on his Quest, where likeliest he might finde
The onely two of Mankinde, but in them
The whole included Race, his purposd prey.
In Bowre and Field he sought, where any tuft
Of Grove or Garden-Plot more pleasant lay,
Thir tendance or Plantation for delight,
By Fountain or by shadie Rivulet
He sought them both, but wishd his hap might find
Eve separate, he wishd, but not with hope
Of what so seldom chanc’d, when to his wish,
Beyond his hope, Eve separate he spies,
Veild in a Cloud of Fragrance, where she stood,
Half spi’d, so thick the Roses bushing round
About her glowd, oft stooping to support
Each Flour of slender stalk, whose head though gay
Carnation, Purple, Azure, or spect with Gold,
Hung drooping unsustaind, them she upstaies
Gently with Mirtle band, mindless the while,
Her self, though fairest unsupported Flour,
From her best prop so farr, and storm so nigh.
Neerer he drew, and many a walk travers’d
Of stateliest Covert, Cedar, Pine, or Palme,
Then voluble and bold, now hid, now seen
Among thick-woven Arborets and Flours
Imborderd on each Bank, the hand of Eve:
Spot more delicious then those Gardens feignd
Or of reviv’d Adonis, or renownd
Alcinous, host of old Laertes Son,
Or that, not Mystic, where the Sapient King
Held dalliance with his faire Egyptian Spouse.
Much he the Place admir’d, the Person more.
As one who long in populous City pent,
Where Houses thick and Sewers annoy the Aire,
Forth issuing on a Summers Morn to breathe
Among the pleasant Villages and Farmes
Adjoind, from each thing met conceaves delight,
The smell of Grain, or tedded Grass, or Kine,
Or Dairie, each rural sight, each rural sound;
If chance with Nymphlike step fair Virgin pass,
What pleasing seemd, for her now pleases more,
Shee most, and in her look summs all Delight.
Such Pleasure took the Serpent to behold
This Flourie Plat, the sweet recess of Eve
Thus earlie, thus alone; her Heav’nly forme
Angelic, but more soft, and Feminine,
Her graceful Innocence, her every Aire
Of gesture or lest action overawd
His Malice, and with rapin sweet bereav’d
His fierceness of the fierce intent it brought:
That space the Evil one abstracted stood
From his own evil, and for the time remaind
Stupidly good, of enmitie disarmd,
Of guile, of hate, of envie, of revenge;
But the hot Hell that alwayes in him burnes,
Though in mid Heav’n, soon ended his delight,
And tortures him now more, the more he sees
Of pleasure not for him ordaind: then soon
Fierce hate he recollects, and all his thoughts
Of mischief, gratulating, thus excites.
Thoughts, whither have ye led me, with what sweet
Compulsion thus transported to forget
What hither brought us, hate, not love, nor hope
Of Paradise for Hell, hope here to taste
Of pleasure, but all pleasure to destroy,
Save what is in destroying, other joy
To mee is lost.

John Milton, 1608-1674 – from Paradise Lost



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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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