All-beauteous Nature! by thy boundless charms 
Oppressed, O where shall I begin thy praise,
Where turn th’ ecstatic eye, how ease my breast
That pants with wild astonishment and love!
Dark forests, and the op’ning lawn, refreshed
With ever-gushing brooks, hill, meadow, dale,
The balmy bean-field, the gay-coloured close,
So sweetly interchanged, the lowing ox,
The playful lamb, the distant water-fall
Now faintly heard, now swelling with the breeze,
The sound of pastoral reed from hazel-bower,
The choral birds, the neighing steed, that snuffs
His dappled mate, stung with intense desire,
The ripened orchard when the ruddy orbs
Betwixt the green leaves blush, the azure skies,
The cheerful sun that through earth's vitals pours
Delight and health and heat; all, all conspire
To raise, to soothe, to harmonise the mind,
To lift on wings of praise, to the great Sire
Of being and of beauty, at whose nod
Creation started from the gloomy vault
Of dreary Chaos, while the grisly king
Murmured to feel his boisterous power confined.
What are the lays of artful Addison,
Coldly correct, to Shakespeare’s warblings wild?
Whom on the winding Avon's willowed banks
Fair Fancy found, and bore the smiling babe
To a close cavern (still the shepherds show
The sacred place, whence with religious awe
They hear, returning from the field at eve,
Strange whisp’rings of sweet music through the air):
Here, as with honey gathered from the rock,
She ted the little prattler, and with songs
Oft soothed his wond’ring ears; with deep delight
On her soft lap he sat, and caught the sounds.

Joseph Warton, 1722-1800 – “The Enthusiast: or The Lover of Nature” from The New Oxford Book of Eighteenth-Century Verse



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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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