Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal – yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
Beauty is truth, truth beauty, – that is all
Ye know on earth, and all ye need to know.

John Keats, 1795-1821 – “Ode on a Grecian Urn” from Complete Poems



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#209 – Being a Jew in 1900, Being a Jew Now Human Voices Wake Us

An episode from 12/15/25: Tonight, I read from Irving Howe’s World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made. In light of the events in Australia yesterday, I take the time not just to talk about what it meant to be a Jewish immigrant to America around the year 1900, but what it means to me to be a Jew right now.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.Email me at humanvoiceswakeus1@gmail.com.
  1. #209 – Being a Jew in 1900, Being a Jew Now
  2. #208: Bach & God
  3. #207 – Death, the Gods, and Endless Life in Ancient Egypt
  4. #206 – The Discovery of Indo-European Languages – 1876
  5. #205: Learning to Read, c. 2000 BCE
  6. #204: Walt Whitman's "Crossing Brooklyn Ferry," 1856
  7. #203: Bruce Springsteen Talks About "Nebraska" – 1984
  8. #202 – A Death at Sea, 1834
  9. #201 – Gillian Anderson, & What Women Want, 2024
  10. #200: The Last Days of Walter Benjamin, 1940

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