The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; – on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Matthew Arnold, 1822-1888 – “Dover Beach” from Poems


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Walt Whitman's Life #7: His Notebooks & the Publication of "Leaves of Grass" (new episode) Human Voices Wake Us

An episode from 6/18/24: This is the seventh in a series of readings from biographies of Walt Whitman. I continue with Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass. Previous readings from Whitman biographies are here. Tonight, Zweig discusses the nature of Whitman's notebooks and journals up through the 1855 publication of the first edition of Leaves of Grass. The necessity Whitman felt, even in his notebooks, for addressing a public audience, and the influence of prose (Carlye, Emerson, the King James Bible) on his revolutionary poetry, all offer great insight into how Whitman was able to achieve what he did. You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I’ve also edited a handful of books in the S4N Pocket Poems series. Email me at humanvoiceswakeus1@gmail.com. — Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support
  1. Walt Whitman's Life #7: His Notebooks & the Publication of "Leaves of Grass" (new episode)
  2. The Most Brutal Scenes (new episode)
  3. The Great Myths #24: Sigurd & the Dragon (new episode)
  4. Ted Hughes: 14 Poems from "Crow" (new episode)
  5. Anthology: Poems on Modern Life (new episode)
  6. An Interview with Amit Majmudar (new episode)
  7. Ted Hughes: 11 Poems from "Remains of Elmet" (new episode)
  8. Anthology: Visionary Poems from Yeats, Whitman, Blake & Myth (new episode)
  9. Wallace Stevens: 11 Essential Poems
  10. Ted Hughes: 6 Poems from "River"

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