The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; – on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Matthew Arnold, 1822-1888 – “Dover Beach” from Poems


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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