All craftsmen share a knowledge. They have held
Reality down fluttering to a bench;
Cut wood to their own purposes; compelled
The growth of pattern with the patient shuttle;
Drained acres to a trench.
Control is theirs. They have ignored the subtle
Release of spirit from the jail of shape.
They have been concerned with prison, not escape;
Pinioned the fact, and let the rest go free,
And out of need made inadvertent art.
All things designed to play a faithful part
Build up their plain particular poetry.
Tools have their own integrity;
The sneath of scythe curves rightly to the hand,
The hammer knows its balance, knife its edge,
All tools inevitably planned,
Stout friends, with pledge
Of service; with their crotchets too
That masters understand,
And proper character, and separate heart,
But always to their chosen temper true.
– So language, smithied at the common fire,
Grew to its use; as sneath and shank and halt
Of well-grained wood, nice instruments of craft,
Curve to the simple mould the hands require,
Born of the needs of man.
The poet like the artisan
Works lonely with his tools; picks up each one,
Blunt mallet knowing, and the quick thin blade,
And plane that travels when the hewing’s done;
Rejects, and chooses; scores a fresh faint line;
Sharpens, intent upon his chiselling;
Bends lower to examine his design,
If it be truly made,
And brings perfection to so slight a thing.
But in the shadows of his working-place,
Dust-moted, dim,
Among the chips and lumber of his trade,
Lifts never his bowed head, a breathing-space
To look upon the world beyond the sill,
The world framed small, in distance, for to him
The world and all its weight are in his will.
Yet in the ecstasy of his rapt mood
There’s no retreat his spirit cannot fill,
No distant leagues, no present, and no past,
No essence that his need may not distil,
All pressed into his service, but he knows
Only the immediate care, if that be good;
The little focus that his words enclose;
As the poor joiner, working at his wood,
Knew not the tree from which the planks were taken,
Knew not the glade from which the trunk was brought,
Knew not the soil in which the roots were fast,
Nor by what centuries of gales the boughs were shaken,
But holds them all beneath his hands at last.

V. Sackville-West, 1892-1962 – “Craftsmen” from Selected Poems


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#211: Who Was William Cullen Bryant? Human Voices Wake Us

An episode from 1/5/2026: Tonight, I read a handful of passages from Gilbert Muller’s William Cullen Bryant: Author of America. During his lifetime, Bryant (1794-1878) was the most popular poet in America as well as one of the country’s most trusted and influential editors and journalists. Through Bryant’s own words and those of his contemporaries, I trace the story of that double-prominence, and the unease many felt over the fate of Bryant’s poetry against the pressures of politics. I also address how, since his death, Bryant has become almost entirely unknown and unread.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.Email me at humanvoiceswakeus1@gmail.com.
  1. #211: Who Was William Cullen Bryant?
  2. #210: Memories & Legends of William Shakespeare
  3. #209 – Being a Jew in 1900, Being a Jew Now
  4. #208: Bach & God
  5. #207 – Death, the Gods, and Endless Life in Ancient Egypt
  6. #206 – The Discovery of Indo-European Languages – 1876
  7. #205: Learning to Read, c. 2000 BCE
  8. #204: Walt Whitman's "Crossing Brooklyn Ferry," 1856
  9. #203: Bruce Springsteen Talks About "Nebraska" – 1984
  10. #202 – A Death at Sea, 1834

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