I
Death, I repent
Of these hands and feet
That for forty years
Have been my own
And I repent
Of flesh and bone,
Of heart and liver,
Of hair and skin –
Rid me, death,
Of face and form,
Of all that I am.

And I repent
Of the forms of thought,
The habit of mind
And heart crippled
By long-spent pain,
The memory-traces
Faded and worn
Of vanished places
And human faces
Not rightly seen
Or understood
Rid me, death,
Of the words I have used.

Not this or that
But all is amiss,
That I have done,
And I have seen
Sin and sorrow
Befoul the world –
Release me, death,
Forgive, remove
From place and time
The trace of all
That I have been.

II
From a place I came
That was never in time,
From the beat of a heart
That was never in pain.
The sun and the moon,
The wind and the world,
The song and the bird
Travelled my thought
Time out of mind.
Shall I know at last
My lost delight?

Tell me, death,
How long must I sorrow
My own sorrow?
While I remain
The world is ending,
Forests are falling,
Suns are fading,
While I am here
Now is ending
And in my arms
The living are dying.
Shall I come at last
To the lost beginning?

Kathleen Raine, 1908-2003 – “Two Invocations of Death” from Collected Poems


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#222: Seamus Heaney – 10 Essential Poems Human Voices Wake Us

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.The poems I read are:  Personal Helicon (Death of a Naturalist, 1966)The Forge and Bogland (Door into the Dark, 1969)The Tollund Man (Wintering Out, 1972)The Strand at Lough Beg (Field Work, 1979)Squarings #2, #8, #40 (Seeing Things, 1991)from his translations of Beowulf (1999)Uncoupled (Human Chain, 2010)  The episode ends with Heaney's reading of "The Tollund Man."The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #222: Seamus Heaney – 10 Essential Poems
  2. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  3. #220: The working poor and a so-so murder show
  4. #219: When a paragraph changes your life
  5. #218: Poetry to Live By
  6. #217: Voices from 1900-1914
  7. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  8. #215: 8 Favorite Poems from "Time and the River"
  9. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  10. #213: Van Gogh's Early Years

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