The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.
It is April; the shad, the hot headed fish,
Climbs the rivers; there is trillium in the damp canyons;
The foetid adder’s tongue lolls by the waterfall.
There was a farm at this campsite once, it is almost gone now.
There were sheep here after the farm, and fire
Long ago burned the redwoods out of the gulch,
The Douglas fir off the ridge; today the soil
Is stony and incoherent, the small stones lie flat
And plate the surface like scales.
Twenty years ago the spreading gully
Toppled the big oak over onto the house.
Now there is nothing left but the foundations
Hidden in poison oak, and above on the ridge,
Six lonely, ominous fenceposts;
The redwood beams of the barn make a footbridge
Over the deep waterless creek bed;
The hills are covered with wild oats
Dry and white by midsummer.
I walk in the random survivals of the orchard.
In a patch of moonlight a mole
Shakes his tunnel like an angry vein;
Orion walks waist deep in the fog coming in from the ocean;
Leo crouches under the zenith.
There are tiny hard fruits already on the plum trees.
The purity of the apple blossoms is incredible.
As the wind dies down their fragrance
Clusters around them like thick smoke.
All the day they roared with bees, in the moonlight
They are silent and immaculate.

Kenneth Rexroth, 1905-1982 – “Spring, Coast Range” from Complete Poems



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#208: Bach & God Human Voices Wake Us

An episode from 12/8/25: Note: A version of this episode was posted last week and quickly taken down when I realized the audio quality was poor. I have rerecorded it here; apologies to those listeners who heard the subpar version.Tonight, I read from John Eliot’s Gardiner’s Bach: Music in the Castle of Heaven. Gardiner talks about Bach’s Christian faith, how much we can expect listeners today to know about liturgical context of his music, as well as his intense attachment to the writings of Martin Luther. He also asks a fairly mundane question about Bach’s book-buying habits that humanizes the usually distant-seeming Bach quite a bit.I open the episode with a quote from the American poet William Cullen Bryant. Bryant was also a newspaper editor, and he once wrote to a friend who was concerned how this work would affect his poetry, “I do not like politics any better than you do; but they get only my mornings, and you know politics and a belly-full are better than poetry and starvation.”The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, due out next year, is now available for preorder. Other books include Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series.Email me at humanvoiceswakeus1@gmail.com.
  1. #208: Bach & God
  2. #207 – Death, the Gods, and Endless Life in Ancient Egypt
  3. #206 – The Discovery of Indo-European Languages – 1876
  4. #205: Learning to Read, c. 2000 BCE
  5. #204: Walt Whitman's "Crossing Brooklyn Ferry," 1856
  6. #203: Bruce Springsteen Talks About "Nebraska" – 1984
  7. #202 – A Death at Sea, 1834
  8. #201 – Gillian Anderson, & What Women Want, 2024
  9. #200: The Last Days of Walter Benjamin, 1940
  10. #199: The Protestant Reformation Gets Going, c. 1517

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