A small state has few people.
It has the people keep arms
but not use them.
It has them regard death gravely
and not go on distant campaigns.
Even if they have vehicles,
they have nowhere to drive them.
Even if they have weapons,
they have nowhere to use them.
It has the people go back to simple techniques,
relish their food,
like their clothes,
be comfortable in their ways,
and enjoy their work.
Neighboring states may be so close
they can hear each other’s dogs and roosters,
but they make it so that the people
have never gone back and forth.

– Thomas Cleary

 

Imagine a small state with a small population
let there be labor-saving tools
that aren’t used
let people consider death
and not move far
let there be boats and carts
but no reason to ride them
let there be armor and weapons
but no reason to employ them
let people return to the use of knots
and be satisfied with their food
and pleased with their clothing
and content with their homes
and happy with their customs
let there be another state so near
people hear its dogs and chickens
but live out their lives
without making a visit

– Red Pine

 

Keep the kingdom small, its people few;
Make sure they have no use for tools
That do the work of tens or hundreds.
Nor let the people travel far
And leave their homes and risk their lives.
Boat or cart, if kept at all, best not to ride;
Shield and blade best not to show.
Guide them back to early times,
When knotted cords served for signs,
And they took relish in their food
And delight in their dress,
Secure in their dwellings,
Content in their customs,
Although a neighbor kingdom stood in view
And the barnyard cries of cocks and dogs
Echoed from village to village,
Their folk would never traffic to and fro—
Never, to the last of their days.

– Moss Roberts


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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