The richness of subliminal virtue
is comparable to an infant:
poisonous creatures do not sting it,
wild beasts do not claw it,
predatory birds do not grab it.
Its tendons are flexible,
yet its grip is firm.
Even while it knows not the mating of male and female,
its genitals get aroused;
this is the epitome of vitality.
It can cry all day without choking or getting hoarse;
this is the epitome of harmony.
Knowing harmony is called constancy,
knowing constancy is called clarity;
enhancing life is called propitious,
the mind mastering energy is called strong.
When beings climax in power, they wane;
this is called being unguided.
The unguided die early.

– Thomas Cleary

 

He who possesses virtue in abundance
resembles a newborn child
wasps don’t sting him
beasts don’t claw him
birds of pretty don’t carry him off
his bones are weak and his tendons soft
yet his grip is firm
he hasn’t known the union of sexes
yet his penis is stiff
so full of essence is he
he cries all day
yet never gets hoarse
his breath is so perfectly balanced
knowing how to be balanced we endure
knowing how to endure we become wise
while those who lengthen their life tempt luck
and those who force their breath become strong
but once things mature they become old
this isn’t the Way
what isn’t the Way ends early

– Red Pine

 

Who holds within the fullest power
To a newborn may compare,
Which no insect stings,
No wild beast seizes,
No taloned bird snatches.
Though soft-boned and weak-limbed, its grip is firm.
Before it ever knows of intercourse,
Its standing phallus allows its full life force.
It cries all day without a loss of voice,
A sign of its perfect balance.
Knowing balance means constant norm;
Knowing the norm means inner vision;
Enhancing life means good fortune;
Mind controlling spirit means inner strength.
“Beware old age in pride of manly might,”
For that means working against the Way.
“Work against the Way, die before your day.”

– Moss Roberts


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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