Exiting life, we enter death.
The followers of life are three out of ten;
in the lives of the people,
the dying grounds on which they are agitated
are also three out of ten.
What is the reason?
Because of the seriousness
with which they take life as life.
It has been said
that those who maintain life well
do not meet rhinos or tigers on land
and do not arm themselves in war.
There is no way for rhinos to gore them;
there is no way for tigers to claw them;
there is no way for weapons to get at them.
Why? Because they have no dying ground.

– Thomas Cleary

 

Appearing means life
disappearing means death
thirteen are the followers of life
thirteen are the followers of death
but people living to live
move toward the land of death’s thirteen
and why is this so
because they live to live
it’s said that those who guard life well
aren’t injured by soldiers in battle
or harmed by rhinos or tigers in the wild
for rhinos find nowhere to stick their horns
tigers find nowhere to sink their claws
and soldiers find nowhere to thrust their spears
and why is this so
because for them there’s no land of death

– Red Pine

 

They come forth into life and they go to the dead:
The gateways of life are thirteen in all,
And the gateways of death the same thirteen.
But people in pursuit of life
Drive themselves to where death waits
At any of the thirteen mortal points.
And why is this?
A way of life too rich.
Men say those who secret themselves well
Will meet no gaur or tiger on the land,
Nor suffer weapon’s wound in war:
Present the gaur no place to gore them,
Nor the tiger place to claw them,
Nor the foe a place to stab them.
And why is this so?
Their mortal points are not exposed.

– Moss Roberts


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#223 – How to write two novels at the same time, with Charles Dickens Human Voices Wake Us

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges. The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #223 – How to write two novels at the same time, with Charles Dickens
  2. #222: Seamus Heaney – 10 Essential Poems
  3. #221: Volcanoes, Plagues & the Childhood of a Kabbalist
  4. #220: The working poor and a so-so murder show
  5. #219: When a paragraph changes your life
  6. #218: Poetry to Live By
  7. #217: Voices from 1900-1914
  8. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  9. #215: 8 Favorite Poems from "Time and the River"
  10. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)

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