What you don’t see when you look
is called the unobtrusive.
What you don’t hear when you listen
is called the rarefied.
What you don’t get when you grasp
is called the subtle.
These three cannot be completely fathomed,
so they merge into one;
above is not bright, below is not dark.
Continuous, unnamable, it returns again to nothing.
This is called the stateless state,
the image of no thing;
this is called mental abstraction.
When you face it you do not see its head,
when you follow it you do not see its back.
Hold the ancient Way
so as to direct present existence:
only when you can know the ancient
can this be called the basic cycle of the Way.

– Thomas Cleary

 

We look but don’t see it
and call it indistinct
we listen but don’t hear it
and call it faint
we reach but don’t grasp it
and call it ethereal
three failed means to knowledge
I weave into one
with no light above
and no shadow below
too find to be named
returning to nothing
this is the formless form
the immaterial image
the one that waxes and wanes
we meet without seeing its face
we follow without seeing its back
whoever upholds this very Way
can rule this very realm
and discover the ancient maiden
this is the thread of the Way

– Red Pine

 

Something looked for but not seen,
Or listened for, not heard,
Or reached for, not found:
Call one “dim,” one “faint,” one “slight,”
Not for summons nor for challenge.
Combined these three make one—
The One, the foremost number,
When daylit sky and dark of night
Have yet to be.
Through this One all living forms coil forth
Helter-skelter—how else to name it?—
Only to go round home again
To their unbodied state:
Form before form,
Guises of the unbodied,
Or gleams in a dim void.
Who can engage them?
Who find the foremost?
Who can pursue them?
Who find the last?
Hold fast to the Way of ancient days
To guide us through our present world;
To know how things began of old
Is to be grounded in the Way.

– Moss Roberts


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#220: The working poor and a so-so murder show Human Voices Wake Us

An episode from 3/9/26: Tonight, I read from Barbara Ehrenreich’s 2001 book Nickle and Dimed: On (Not) Getting by in America. After that, I talk about the recent TV show The Killing, as a way in to talking about our obsession and desire for criticism, objectivity, and certainty. Isn’t privacy and the subjective more fruitful? Both parts of this episode are related to essays in my book Notes from the Grid.What is your equivalent of these passages? Email me or send an audio file to humanvoiceswakeus1@gmail.com, and I may use it in an upcoming episode.The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at humanvoiceswakeus1@gmail.com.
  1. #220: The working poor and a so-so murder show
  2. #219: When a paragraph changes your life
  3. #218: Poetry to Live By
  4. #217: Voices from 1900-1914
  5. #216: Poets, Prophets, Seeresses & Goddesses from Time & the River
  6. #215: 8 Favorite Poems from "Time and the River"
  7. #214: Two of the Best Poems You've Never Heard of (by William Cullen Bryant)
  8. #213: Van Gogh's Early Years
  9. #212: The Most Popular Story in Ancient India
  10. #211: Who Was William Cullen Bryant?

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