Picasso’s Blue Period–or basically anything he did before Cubism–has always struck me as more powerful than anything he did later, which seems mostly theoretical playing. Not that I think somebody as vast as Picasso could stay in one phase forever (I’ve asked before what a genius is supposed to do when they’re almost too good.) Works like Guernica and his […]
It’s been said of Picasso: “At the age of sixteen, he produced two paintings which were of academic perfection…. So what do you do with your life if you’re producing academically perfect works at the age of sixteen? Every step afterwards is an innovation.” Indeed, whether you like where Picasso went or not, it’s undeniable that he never stopped moving. […]
from John Richardson’s biography of Picasso: When questioned much later about his earliest sexual experience, Picasso claimed that his sex life had started very early on: “Yes,” he says smiling, with a sparkle in his eye, “I was still quite small”—and he indicated a diminutive height wit his hand. “Obviously I didn’t wait for the age of reason. If I […]
Taken from John Richardson’s biographies of Picasso. Click on each to enlarge:
Scroll through this selection of preliminary studies & photos of the canvas as it was worked on & completed. Pretty astonishing, & all done in about five weeks.
from Simon Schama’s Power of Art In the winter of 1941, Pablo Picasso was living and working at the top of an old house in the rue des Grands Augustins in Paris. The Seine was a stone’s throw away. Hard northern light swept in over the rooftops. Pigeons perched on the sills. But Picasso’s Left Bank life during the Occupation […]