Picasso’s Blue Period–or basically anything he did before Cubism–has always struck me as more powerful than anything he did later, which seems mostly theoretical playing. Not that I think somebody as vast as Picasso could stay in one phase forever (I’ve asked before what a genius is supposed to do when they’re almost too good.) Works like Guernica and his […]
It’s been said of Picasso: “At the age of sixteen, he produced two paintings which were of academic perfection…. So what do you do with your life if you’re producing academically perfect works at the age of sixteen? Every step afterwards is an innovation.” Indeed, whether you like where Picasso went or not, it’s undeniable that he never stopped moving. […]
Mothers, Ironers, Workers at a Cotton Office, Farmers, Floor Strippers, Writers, Waitresses, Stonebreakers, Gleaners, Apple Pickers, Sowers….
Manet’s 1862 painting The Old Musician is a great human riddle. Just what everybody is doing here, and why they’re gathered together, is a mystery. Yet it’s a puzzle more emotional than academic. Held in the National Gallery in Washington, D.C., you can read their page about it here, or the Wiki page.
from John Richardson’s biography of Picasso: When questioned much later about his earliest sexual experience, Picasso claimed that his sex life had started very early on: “Yes,” he says smiling, with a sparkle in his eye, “I was still quite small”—and he indicated a diminutive height wit his hand. “Obviously I didn’t wait for the age of reason. If I […]
The environment in which some of humanity’s first–and still best–works of art, in the cave of Lascaux nearly thirty thousand years ago, is described here by Randall White: Plant materials, especially wood, would have been important fuel for cooking, heating, and light. Again, the excellent preservation at Lascaux indicates that certain species of trees and shrubs were sought, especially […]
As I’ve written elsewhere: “Except for his earliest work, there were no grand subjects in Vermeer, and very little else but a room and a window; tiled floor and tapestries and carpeted tables; maps and light and exactitude; liquid, lace, poured milk, lute strings and the weighing of pearls; the reproduction by brush and color of glass, a glass of […]
A drawing from 2015 that I suddenly found again today:
The Austrian artist Egon Schiele’s brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that was to come. As more famous artists from the time look terribly dated today, Shiele seems like he could still be working right now: Egon Schiele – Self Portrait (1911)
It’s too bad Nicholas Poussin’s Shepherds of Arcady/Et in Arcadia (Even in Arcadia, there am I) can’t get much attention except as a link to the Holy Blood-Holy Grail/Dan Brown stories. It’s magnificent enough on its own. You can also read more about it, including the conspiracy stuff, here. Click on the painting to enlarge:
from Thomas Cahill’s Heretics and Heroes: In a collection of travel essays published in 1925, Aldous Huxley had called Piero [della Francesca’s] Resurrection, the fresco that decorates the Museo Civico of Sansepolcro, “the greatest picture in the world.” In the last days of World War II, as British soldiers began shelling Nazi-occupied Sansepolcro with the intention of reducing it to […]
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each image to enlarge, or watch the video:
Click on the image to enlarge, or watch the video:
One of the great jazz standards of Medieval & Renaissance art, here’s only a selection of all the depictions of St. Jerome: studying indoors or out, with or without his lion or skull, probably translating the Bible as he goes, reading or writing always. All a good excuse for artists to place him in contemporary landscapes, or familiar book-lined rooms. […]
At least for me, John Singer Sargent’s “The Daughters of Edward Darley Boit” is one of the more haunting paintings. What it appears to say about family, isolation, childhood, the lives of women and girls, and perhaps even the deleterious effects of being rich, seem quite endless. And the history of each of the girls’ later lives only adds to […]
The way I heard it, Salvador Dali saw a reproduction of Millet’s Angelus in his classroom during childhood, and it became one of his great personal images: Jean-Francois Millet – The Angelus (1857-1859) Salvador Dali – Archeological Reminiscence of Millet’s Angelus (1935) Salvador Dali – Atavism of Twilight (1933-1934) Salvador Dali – Gala and The Angelus of Millet Before the […]
Taken from John Richardson’s biographies of Picasso. Click on each to enlarge:
The French painter and model Victorine Meurent (1844-1927) appears in some of the most famous of Édouard Manet’s paintings. Click on each to enlarge:
Scroll through this selection of preliminary studies & photos of the canvas as it was worked on & completed. Pretty astonishing, & all done in about five weeks.
