from Thomas Cahill’s Heretics & Heroes: …. [Michelangelo’s] next work displays a grasp of human anatomy seldom seen in the history of art: a Pietà, his first but hardly his last interpretation of the subject. The Italian word has many grades of meaning: pity, compassion, mercy, piety, devotion. Capitalized, however, it refers to a scene not found in the gospels […]
From Walter Isaacson’s recent biography of da Vinci, here is about as concise and colorful a summary of how true genius can, in the same century and even the same city, manifest itself in entirely different ways: When Leonardo left Florence for Milan in 1482, Michelangelo was only seven years old. His father was a member of Florence’s minor nobility […]
Unfinished Michelangelo The impossible bodies of apostles, messiahs and slaves, statues that couldn’t have stood had he finished them, faces half buried in membranes of marble that threaten to swallow and take them back; bodies climbing without hands or feet or legs out of the mineral morass in the great struggle for birth: a nearly headless body, torso only, drowning […]
Many thanks to the editors of The Basil O’Flaherty, who just published four new poems of mine: Unfinished Michelangelo Kafka’s Sisters (1945) The Painted Caves: Chauvet, Lascaux, Altamira A Disciple of Pythagoras Wins a Chariot Race (496 BC) Special thanks too to Daniel Paul Marshall, who offered his enthusiasm and suggestions for early drafts of these poems.